Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
It is the business of the prophet, the seer, and the poet to awaken the
world when it is worshipping false gods, when from fear, or
self-interest, or sheer bewilderment, it fails to see the things that
are in their naked horror and their awful shame. But prophet, seer, and
poet can speak only through the printed word, and in the maze and mass
of conflicting appeals the words of truth are lost and ineffective. But
if the ear be deaf and the mind numb, the eyes of all retain their
childlike curiosity. It is Raemaekers’ secret that he can present his
own clear vision of the truth in figures that pierce instantly to the
conscience of the dullest. To kill a child at all for a political
purpose, is the sin of Herod. To kill the children of those with whom
you have no nominal quarrel, stipulates just that negation of soul which
we call beastly. The truth about Tirpitz, and all that that accursed
name stands for, is personified in the loathsome Satyr of the Sea
portrayed in this cartoon.
ARTHUR POLLEN.
[Illustration]
_War Council with Ferdinand and Enver Pasha_
Raemaekers is not merely a clever draftsman and a keen observer, but
also a deep and careful student of modern history and diplomacy. He
knows the by-paths, the _coulisses_, and the intrigues of the diplomatic
world, which are eternally going on behind the almost impenetrable
curtain with which the chancelleries of Europe seek to veil their
proceedings.
Everyone knows, of course, that it was not merely affection or esteem
that has ranged Ferdinand of Bulgaria and Enver Pasha upon the side of
the Central Empires. In the case of the first, greed had not a little to
do with the final decision to which he came. He was not unwilling to be
persuaded by the blandishments of his “dear brother the Kaiser,” always
provided it was made worth his while at the time as well as _in futuro_.
In the case of the second, ambition played its part, backed up by years
of “ground baiting” of the kind in which German diplomacy excels.
It has been left to the pencil of this great artist and satirist to
bring home to the mind of the man-in-the-street a knowledge of the
actual situation that has been created, and of the methods by which it
was brought about. In this cartoon we have the Kaiser in shop-walker
attitude, an oily smile upon his lips, bending forward and washing his
hands with invisible soap, while he exclaims, “I hope you have been well
served and are satisfied.” His dupes are shown bound hand and foot, with
an expression of their doubts as to the ultimate genuineness and benefit
of the bargain which they have struck shown upon the face of the one and
the back of the other. Bound hand and foot they stand in the presence of
this “artful dodger” among crowned heads, and in that of the decrepit
Franz Joseph, in whose figure the artist has succeeded in so cleverly
conveying an idea of the unstable and effete nature of the
Austro-Hungarian Empire.
Public-domain text, read in full here on John Shaqi.
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