Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
Thus the fat missionary in spectacles volubly attempts to seduce the
grave and rather sardonic Dutch peasant, whose face is a triumph of
non-committal. He holds him long in conversation, while from behind
steal up the German soldiers and sailors waiting for the attention of
the peasant to be wholly absorbed in the propaganda, suddenly to capture
and to bind him, beyond all power of self-release. Here the satire of
Raemaekers is directed against the intrigues of German diplomacy at The
Hague, and the rumors which have of late been rife concerning a party of
politicians in the Dutch State who have been persuaded into recommending
a studied neutrality now, indeed, but a secret agreement with Germany
that shall not come into force until after the declaration of peace. The
draftsman warns his countrymen that they are not, in their simplicity,
capable of holding their own against a combination of Teutonic violence
and Teutonic guile. It may be that these Dutch disciples of
Wilhelmstrasse have not the naïveté which Raemaekers sees proper to
attribute to them. Their attitude has something more ignoble than
simple, and they remind us not a little of the particularists of the
seventeenth century, whose selfish and senseless anti-Orange policy left
the Dutch without a friend in Europe. But we can confidently believe
that general public opinion in Holland to-day will be too wholesome and
too intelligent to pursue the suicidal path which the “Toekomst” and its
German inspirers indicate.
EDMUND GOSSE.
[Illustration]
_Tetanus_
Here Raemaekers draws aside from his fierce mood of indictment of the
aggressor and, touched with a neutral’s pity, tries to express something
of the agony that comes impartially to those who fight for and those who
fight against the right. The candid critic must confess that this mood
has not the interest of his satire and invective. But it is natural for
the imaginative artist to be deeply moved by these, as it were,
impartial horrors and good for us stay-at-homes to be helped to realize
them.
In the early days of the war, waged as it was over the most intensively
cultivated soil in Europe, the mortality from this dread horror,
Tetanus, was very great. The skill of the bacteriologist and the surgeon
has indefinitely reduced the mortality. And perhaps those of us who are
bowed down by the thought of all the needless pain and incalculable
waste may take a crumb of comfort from the thought that out of all the
suffering and death grow knowledge and skill that will relieve suffering
and prevent death in the future. So the eternal courage and
resourcefulness of man always recapture the citadel he seems to have
lost in the first onset.
JOSEPH THORP.
[Illustration]
_Shakspere’s Tercentenary_
Public-domain text, read in full here on John Shaqi.
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