Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
At first Lantier took his meals at the restaurant at the corner, but
after a while he dined three or four times a week with the Coupeaus
and finally requested permission to board with them and agreed to pay
them fifteen francs each Saturday. Thus he was regularly installed and
was one of the family. He was seen in his shirt sleeves in the shop
every morning, attending to any little matters or receiving orders
from the customers. He induced Gervaise to leave her own wine merchant
and go to a friend of his own. Then he found fault with the bread and
sent Augustine to the Vienna bakery in a distant _faubourg_. He
changed the grocer but kept the butcher on account of his political
opinions.
At the end of a month he had instituted a change in the cuisine.
Everything was cooked in oil: being a Provencal, that was what he
adored. He made the omelets himself, which were as tough as leather.
He superintended Mamma Coupeau and insisted that the beefsteaks should
be thoroughly cooked, until they were like the soles of an old shoe.
He watched the salad to see that nothing went in which he did not
like. His favorite dish was vermicelli, into which he poured half
a bottle of oil. This he and Gervaise ate together, for the others,
being Parisians, could not be induced to taste it.
By degrees Lantier attended to all those affairs which fall to the
share of the master of the house and to various details of their
business, in addition. He insisted that if the five francs which the
Lorilleux people had agreed to pay toward the support of Mamma Coupeau
was not forthcoming they should go to law about it. In fact, ten
francs was what they ought to pay. He himself would go and see if he
could not make them agree to that. He went up at once and asked them
in such a way that he returned in triumph with the ten francs. And
Mme Lerat, too, did the same at his representation. Mamma Coupeau
could have kissed Lantier's hands, who played the part, besides, of
an arbiter in the quarrels between the old woman and Gervaise.
The latter, as was natural, sometimes lost patience with the old
woman, who retreated to her bed to weep. He would bluster about and
ask if they were simpletons, to amuse people with their disagreements,
and finally induced them to kiss and be friends once more.
He expressed his mind freely in regard to Nana also. In his opinion
she was brought up very badly, and here he was quite right, for when
her father cuffed her her mother upheld her, and when, in her turn,
the mother reproved, the father made a scene.
Nana was delighted at this and felt herself free to do much as she
pleased.
She had started a new game at the farriery opposite. She spent entire
days swinging on the shafts of the wagons. She concealed herself, with
her troop of followers, at the back of the dark court, redly lit by
the forge, and then would make sudden rushes with screams and whoops,
followed by every child in the neighborhood, reminding one of a flock
of martins or sparrows.
Public-domain text, read in full here on John Shaqi.
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