Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
It was now the warm time of the year. One June afternoon, a Saturday
when there was a lot of work to get through, Gervaise herself had piled
the coke into the stove, around which ten irons were heating, whilst a
rumbling sound issued from the chimney. At that hour the sun was
shining full on the shop front, and the pavement reflected the heat
waves, causing all sorts of quaint shadows to dance over the ceiling,
and that blaze of light which assumed a bluish tinge from the color of
the paper on the shelves and against the window, was almost blinding in
the intensity with which it shone over the ironing-table, like a golden
dust shaken among the fine linen. The atmosphere was stifling. The shop
door was thrown wide open, but not a breath of air entered; the clothes
which were hung up on brass wires to dry, steamed and became as stiff
as shavings in less than three quarters of an hour. For some little
while past an oppressive silence had reigned in that furnace-like heat,
interrupted only by the smothered sound of the banging down of the
irons on the thick blanket covered with calico.
“Ah, well!” said Gervaise, “it’s enough to melt one! We might have to
take off our chemises.”
She was sitting on the floor, in front of a basin, starching some
things. Her sleeves were rolled up and her camisole was slipping down
her shoulders. Little curls of golden hair were stuck to her skin by
perspiration. She carefully dipped caps, shirt-fronts, entire
petticoats, and the trimmings of women’s drawers into the milky water.
Then she rolled the things up and placed them at the bottom of a square
basket, after dipping her hand in a pail and shaking it over the
portions of the shirts and drawers which she had not starched.
“This basketful’s for you, Madame Putois,” she said. “Look sharp, now!
It dries at once, and will want doing all over again in an hour.”
Madame Putois, a thin little woman of forty-five, was ironing. Though
she was buttoned up in an old chestnut-colored dress, there was not a
drop of perspiration to be seen. She had not even taken her cap off, a
black cap trimmed with green ribbons turned partly yellow. And she
stood perfectly upright in front of the ironing-table, which was too
high for her, sticking out her elbows, and moving her iron with the
jerky evolutions of a puppet. On a sudden she exclaimed:
“Ah, no! Mademoiselle Clemence, you mustn’t take your camisole off. You
know I don’t like such indecencies. Whilst you’re about it, you’d
better show everything. There’s already three men over the way stopping
to look.”
Public-domain text, read in full here on John Shaqi.
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