Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
the cradle.
Nana reigned supreme over this host of urchins; she ordered about girls
twice her own size, and only deigned to relinquish a little of her
power in favor of Pauline and Victor, intimate confidants who enforced
her commands. This precious chit was for ever wanting to play at being
mamma, undressing the smallest ones to dress them again, insisting on
examining the others all over, messing them about and exercising the
capricious despotism of a grown-up person with a vicious disposition.
Under her leadership they got up tricks for which they should have been
well spanked. The troop paddled in the colored water from the dyer’s
and emerged from it with legs stained blue or red as high as the knees;
then off it flew to the locksmith’s where it purloined nails and
filings and started off again to alight in the midst of the carpenter’s
shavings, enormous heaps of shavings, which delighted it immensely and
in which it rolled head over heels exposing their behinds.
The courtyard was her kingdom. It echoed with the clatter of little
shoes as they stampeded back and forth with piercing cries. On some
days the courtyard was too small for them and the troop would dash down
into the cellar, race up a staircase, run along a corridor, then dash
up another staircase and follow another corridor for hours. They never
got tired of their yelling and clambering.
“Aren’t they abominable, those little toads?” cried Madame Boche.
“Really, people can have but very little to do to have time to get so
many brats. And yet they complain of having no bread.”
Boche said that children pushed up out of poverty like mushrooms out of
manure. All day long his wife was screaming at them and chasing them
with her broom. Finally she had to lock the door of the cellar when she
learned from Pauline that Nana was playing doctor down there in the
dark, viciously finding pleasure in applying remedies to the others by
beating them with sticks.
Well, one afternoon there was a frightful scene. It was bound to have
come sooner or later. Nana had thought of a very funny little game. She
had stolen one of Madame Boche’s wooden shoes from outside the
concierge’s room. She tied a string to it and began dragging it about
like a cart. Victor on his side had had the idea to fill it with potato
parings. Then a procession was formed. Nana came first dragging the
wooden shoe. Pauline and Victor walked on her right and left. Then the
entire crowd of urchins followed in order, the big ones first, the
little ones next, jostling one another; a baby in long skirts about as
tall as a boot with an old tattered bonnet cocked on one side of its
head, brought up the rear. And the procession chanted something sad
with plenty of ohs! and ahs! Nana had said that they were going to play
at a funeral; the potato parings represented the body. When they had
gone the round of the courtyard, they recommenced. They thought it
immensely amusing.
Public-domain text, read in full here on John Shaqi.
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