Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
Lantier didn’t like the wine from Francois’s, so he persuaded Gervaise
to buy her wine from Vigouroux, the coal-dealer. Then he decided that
Coudeloup’s bread was not baked to his satisfaction, so he sent
Augustine to the Viennese bakery in the Faubourg Poissonniers for their
bread. He changed from the grocer Lehongre but kept the butcher, fat
Charles, because of his political opinions. After a month he wanted all
the cooking done with olive oil. Clemence joked that with a Provencal
like him you could never wash out the oil stains. He wanted his omelets
fried on both sides, as hard as pancakes. He supervised mother
Coupeau’s cooking, wanting his steaks cooked like shoe leather and with
garlic on everything. He got angry if she put herbs in the salad.
“They’re just weeds and some of them might be poisonous,” he declared.
His favorite soup was made with over-boiled vermicelli. He would pour
in half a bottle of olive oil. Only he and Gervaise could eat this
soup, the others being too used to Parisian cooking.
Little by little Lantier also came to mixing himself up in the affairs
of the family. As the Lorilleuxs always grumbled at having to part with
the five francs for mother Coupeau, he explained that an action could
be brought against them. They must think that they had a set of fools
to deal with! It was ten francs a month which they ought to give! And
he would go up himself for the ten francs so boldly and yet so amiably
that the chainmaker never dared refuse them. Madame Lerat also gave two
five-franc pieces now. Mother Coupeau could have kissed Lantier’s
hands. He was, moreover, the grand arbiter in all the quarrels between
the old woman and Gervaise. Whenever the laundress, in a moment of
impatience, behaved roughly to her mother-in-law and the latter went
and cried on her bed, he hustled them about and made them kiss each
other, asking them if they thought themselves amusing with their bad
tempers.
Public-domain text, read in full here on John Shaqi.
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