Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
Lalie turned quite pale again and, amazed at not receiving her usual
drubbing, took his shoes off. He had seated himself on the edge of the
bed. He lay down with his clothes on and remained with his eyes open,
watching the child move about the room. She busied herself with one
thing and another, gradually becoming bewildered beneath his glance,
her limbs overcome by such a fright that she ended by breaking a cup.
Then, without getting off the bed, he took hold of the whip and showed
it to her.
“See, little chickie, look at this. It’s a present for you. Yes, it’s
another fifty sous you’ve cost me. With this plaything I shall no
longer be obliged to run after you, and it’ll be no use you getting
into the corners. Will you have a try? Ah! you broke a cup! Now then,
gee up! Dance away, make your curtsies to Monsieur Hardy!”
He did not even raise himself but lay sprawling on his back, his head
buried in his pillow, making the big whip crack about the room with the
noise of a postillion starting his horses. Then, lowering his arm he
lashed Lalie in the middle of the body, encircling her with the whip
and unwinding it again as though she were a top. She fell and tried to
escape on her hands and knees; but lashing her again he jerked her to
her feet.
“Gee up, gee up!” yelled he. “It’s the donkey race! Eh, it’ll be fine
of a cold morning in winter. I can lie snug without getting cold or
hurting my chilblains and catch the calves from a distance. In that
corner there, a hit, you hussy! And in that other corner, a hit again!
And in that one, another hit. Ah! if you crawl under the bed I’ll whack
you with the handle. Gee up, you jade! Gee up! Gee up!”
A slight foam came to his lips, his yellow eyes were starting from
their black orbits. Lalie, maddened, howling, jumped to the four
corners of the room, curled herself up on the floor and clung to the
walls; but the lash at the end of the big whip caught her everywhere,
cracking against her ears with the noise of fireworks, streaking her
flesh with burning weals. A regular dance of the animal being taught
its tricks. This poor kitten waltzed. It was a sight! Her heels in the
air like little girls playing at skipping, and crying “Father!” She was
all out of breath, rebounding like an india-rubber ball, letting
herself be beaten, unable to see or any longer to seek a refuge. And
her wolf of a father triumphed, calling her a virago, asking her if she
had had enough and whether she understood sufficiently that she was in
future to give up all hope of escaping from him.
But Gervaise suddenly entered the room, attracted by the child’s howls.
On beholding such a scene she was seized with a furious indignation.
“Ah! you brute of a man!” cried she. “Leave her alone, you brigand!
I’ll put the police on to you.”
Bijard growled like an animal being disturbed, and stuttered:
Public-domain text, read in full here on John Shaqi.
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