Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
And, stepping forward, she dealt Nana a couple of hearty cuffs. The
first knocked the feathered hat on one side, and the second left a red
mark on the girl’s white cheek. Nana was too stupefied either to cry or
resist. The orchestra continued playing, the crowd grew angry and
repeated savagely, “Turn them out! Turn them out!”
“Come, make haste!” resumed Gervaise. “Just walk in front, and don’t
try to run off. You shall sleep in prison if you do.”
The scraggy young man had prudently disappeared. Nana walked ahead,
very stiff and still stupefied by her bad luck. Whenever she showed the
lest unwillingness, a cuff from behind brought her back to the
direction of the door. And thus they went out, all three of them, amid
the jeers and banter of the spectators, whilst the orchestra finished
playing the finale with such thunder that the trombones seemed to be
spitting bullets.
The old life began again. After sleeping for twelve hours in her
closet, Nana behaved very well for a week or so. She had patched
herself a modest little dress, and wore a cap with the strings tied
under her chignon. Seized indeed with remarkable fervor, she declared
she would work at home, where one could earn what one liked without
hearing any nasty work-room talk; and she procured some work and
installed herself at a table, getting up at five o’clock in the morning
on the first few days to roll her sprigs of violets. But when she had
delivered a few gross, she stretched her arms and yawned over her work,
with her hands cramped, for she had lost her knack of stem-rolling, and
suffocated, shut up like this at home after allowing herself so much
open air freedom during the last six months. Then the glue dried, the
petals and the green paper got stained with grease, and the
flower-dealer came three times in person to make a row and claim his
spoiled materials.
Nana idled along, constantly getting a hiding from her father, and
wrangling with her mother morning and night—quarrels in which the two
women flung horrible words at each other’s head. It couldn’t last; the
twelfth day she took herself off, with no more luggage than her modest
dress on her back and her cap perched over one ear. The Lorilleuxs, who
had pursed their lips on hearing of her return and repentance, nearly
died of laughter now. Second performance, eclipse number two, all
aboard for the train for Saint-Lazare, the prison-hospital for
streetwalkers! No, it was really too comical. Nana took herself off in
such an amusing style. Well, if the Coupeaus wanted to keep her in the
future, they must shut her up in a cage.
Public-domain text, read in full here on John Shaqi.
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