Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
It was at the christening feast that the Coupeaus ended by becoming
intimately acquainted with their neighbors on the opposite side of the
landing. The other lodging in the little house was occupied by two
persons, mother and son, the Goujets as they were called. Until then
the two families had merely nodded to each other on the stairs and in
the street, nothing more; the Coupeaus thought their neighbors seemed
rather bearish. Then the mother, having carried up a pail of water for
Gervaise on the morrow of her confinement, the latter had thought it
the proper thing to invite them to the feast, more especially as she
considered them very respectable people. And naturally, they there
became well acquainted with each other.
The Goujets came from the Departement du Nord. The mother mended lace;
the son, a blacksmith, worked at an iron bolt factory. They had lived
in their lodging for five years. Behind the quiet peacefulness of their
life, a long standing sorrow was hidden. Goujet the father, one day
when furiously drunk at Lille, had beaten a comrade to death with an
iron bar and had afterwards strangled himself in prison with his
handkerchief. The widow and child, who had come to Paris after their
misfortune, always felt the tragedy hanging over their heads, and
atoned for it by a strict honesty and an unvarying gentleness and
courage. They had a certain amount of pride in their attitude and
regarded themselves as better than other people.
Madame Goujet, dressed in black as usual, her forehead framed in a
nun’s hood, had a pale, calm, matronly face, as if the whiteness of the
lace and the delicate work of her fingers had cast a glow of serenity
over her. Goujet was twenty-three years old, huge, magnificently built,
with deep blue eyes and rosy cheeks, and the strength of Hercules. His
comrades at the shop called him “Golden Mouth” because of his handsome
blonde beard.
Gervaise at once felt a great friendship for these people. When she
entered their home for the first time, she was amazed at the
cleanliness of the lodging. There was no denying it, one might blow
about the place without raising a grain of dust; and the tiled floor
shone like a mirror. Madame Goujet made her enter her son’s room, just
to see it. It was pretty and white like the room of a young girl; an
iron bedstead with muslin curtains, a table, a washstand, and a narrow
bookcase hanging against the wall. Then there were pictures all over
the place, figures cut out, colored engravings nailed up with four
tacks, and portraits of all kinds of persons taken from the illustrated
papers.
Public-domain text, read in full here on John Shaqi.
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