Montpensier, Anne-Marie-Louise d'Orléans, duchesse de, 1627-1693
We learn from this letter how the companions of the Hôtel de
Rambouillet passed their evenings.
In Paris and in the distant provinces there were many imitations of
the Salon; the germs of the enterprise had taken root all over France
with literary results, which became the subject of serious study.
The political consequences of the literary and social innovations
claimed less attention. The domestication of the nobility originated
in the Salon. When delicacy of manner was introduced as obligatory,
the nobleman was in full possession of the rights of power; he could
hunt and torture animals and inferior men, he could make war upon
his neighbours, he could live in egotistical isolation, enjoying the
luxuries bestowed by his seigniory, while the lower orders died of
hunger at his door, because his rank was manifested by his freedom
from rules which bound classes below his quality. The diversions
introduced at the Salon de Rambouillet exacted sacrifice of self to the
convenience of others. In the abstract this was an excellent thing, but
its reaction was felt by the aristocracy; from restraining their
selfishness the gallant courtiers passed on to the self-renunciation
of the ancient Crusaders, and when Louis XIV. saw fit (for his own
reasons) to turn his nobles into peaceful courtiers and grand barons
of the ante-chamber, he found that his work had all been done; it was
not possible to convert his warriors into courtiers, for he had no
warriors; all the warriors had turned to knights of the carpet; their
swords were wreathed with roses, and the ringing notes which had called
men to arms had changed to the sighing murmurs of Durandarte; every
man sat in a perfumed bower busily employed in making "sonnets to his
mistress's eyebrows." Louis XIV. fumed because his Court resembled a
salon; the incomparable Arthénice had given the restless cavaliers a
taste for fine conversation and innocent pleasures, and by doing so she
had minced the King's spoonmeat too fine; the absolute monarch could
only modify a transformation accomplished independent of his will.
[Illustration: LOUIS XIII., KING OF FRANCE AND OF NAVARRE
FROM AN OLD PRINT]
We have now to determine how much of their false exalted sentiment and
their false ambition the princes, the chevaliers of the Fronde, and all
the gallants of the quality owed to the dramatic theatre of their day;
that estimated, we shall have gained a fair idea of the chief elements
of the social body idealised by Corneille,--of all the elements save
one, the element of Religion; that was a thing apart, to be considered
especially and in its own time.
FOOTNOTES:
[Footnote 27: _Relation de ce que c'est passé en l'affaire de la reyne
au mois d'août, 1637, sui le sujet de la Porte et de l'Abbesse du
Val-de-Grâce._ See document in the Bibliothèque National.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account