pinching her nose. * * * * * Among these girls and women the least frivolous certainly was Catherine Cadière, a delicate, sickly girl of seventeen, taken up wholly with devotion and charity, of a mournful countenance, which seemed to say that, young as she was, she had felt more keenly than anyone else the great misfortunes of the time, those, namely, of Provence and Toulon. This is easily explained. She was born during the frightful famine of 1709; and just as the child was growing into a maiden, she witnessed the fearful scenes of the great plague. Those two events seemed to have left their mark upon her, to have taken her out of the present into a life beyond. This sad flower belonged wholly to Toulon, to the Toulon of that day. To understand her better we must remember what that town is and what it was. Toulon is a thoroughfare, a landing-place, the entrance of an immense harbour and a huge arsenal. The sense of this carries the traveller away, and prevents his seeing Toulon itself. There is a town however there, indeed an ancient city. It contains two different sets of people, the stranger functionaries, and the genuine Toulonnese, who are far from friendly to the former, regarding them with envy, and often roused to rebellion by the swaggering of the naval officers. All these differences were concentred in the gloomy streets of a town in those days choked up within its narrow girdle of fortifications. The most peculiar feature about this small dark town is, that it lies exactly between two broad seas of light, between the marvellous mirror of its roadstead and its glorious amphitheatre of mountains, baldheaded, of a dazzling grey, that blinds you in the noonday sun. All the gloomier look the streets themselves. Such as do not lead straight to the harbour and draw some light therefrom, are plunged at all hours in deep gloom. Filthy byeways, and small tradesmen with shops ill-furnished, invisible to anyone coming for the day, such is the general aspect of the place. The interior forms a maze of passages in which you may find plenty of churches, and old convents now turned into barracks. Copious kennels, laden and foul with sewage water, run down in torrents. The air is almost stagnant, and in so dry a climate you are surprised at seeing so much moisture. In front of the new theatre a passage called La Rue de l’Hôpital leads from the narrow Rue Royale into the narrow Rue des Cannoniers. It might almost be called a blind alley. The sun, however, just looks down upon it at noon, but, finding the place so dismal, passes on forthwith, and leaves the passage to its wonted darkness.