Families -- Fiction; Married women -- Fiction; Mothers -- Fiction; United States -- Fiction; Women -- Employment -- Fiction
The rest of the night, the next day, the next night, all were to
Catherine grotesquely unreal, as if life had been transposed to a
different key, where all familiar things were flatted into dissonance
and harsh strangeness. All night the scrape of snow-plows and shovels,
futile against the snow; the snow which seemed the wind itself turned
to dry, drifting, impenetrable barriers. The local, dragged by two
locomotives, hours late, like a moving snowdrift itself. The hours
in that train, with nothing but snow darkening the windows, hiding
the world, driving through the aisles with the opening of the doors.
Pittsburgh, late in the afternoon, and no word from Charles. She beat
helplessly against the gruff taciturnity of the ticket agent; he had
stood up all day confronting cross, belated travelers. There was a
train in an hour, making connections at Philadelphia. Night on that
train, in a crowded day coach, malodorous and noisy. She felt as if she
dragged the train herself, down through strange valleys, where blast
furnaces sent up red shrieks of flame, through dim, sleeping towns.
Philadelphia at two, the next morning. A narrow strip of platform
across which the wind whirled. Another crowded day coach. Where were
these people going, that colored boy, asleep, his feet stuck out into
the aisle in their ragged socks, his shoes clasped under one arm--that
man and woman, slumping peacefully against each other, mouths drooping
wide?
* * * * *
As Catherine stepped down to the platform in the New York station, the
huge dim roofs of the train shed spun dangerously about her. A porter
loped beside her, pawing at her bag, but she walked away from him, her
eyes wide like a somnambulist. She made her way to a telephone booth,
and then, when she had lifted her hand to drop in the nickel, stopped
abruptly. If she telephoned, and something dreadful came over the wire,
buzzing into her head, it would transfix her there, unable to move,
held forever behind that close, dirty glass door. She pushed violently
against the door, freed herself, and fled out to the street. She passed
on the steps a woman crawling on her knees, one arm moving in sluggish
circles, scrubbing. After she had found a taxi and was whirring away
through the dark street, the motion of that weary arm continued before
her eyes. How dark the city was, and still, as if she had come into it
just at the turn of the tide, before the morning life moved in. "Dark
o' the moon"--she heard Spencer's voice chanting--"pulls the ole water
away from the earth."
Public-domain text, read in full here on John Shaqi.
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