Families -- Fiction; Married women -- Fiction; Mothers -- Fiction; United States -- Fiction; Women -- Employment -- Fiction
"Mother! Come with us. Daddy's coming!" Spencer and Marian tugged at
her arms, and Letty pulled at her skirt.
"I can't, chickens." Catherine hugged them, each one. She loved the
exuberance of their greeting, the sharp delight of contrast after the
hours away. "Miss Kelly is all ready." She glanced at Miss Kelly's
serene face. "Flora hasn't shown up? Nor sent word? I'll have to look
her up. To-morrow perhaps I can go."
"I gave the children their lunch," explained Miss Kelly, "but of course
I had no time to set the kitchen to rights."
She certainly hadn't. Catherine gave one dismayed look at the disorder,
and decided to hunt for Flora first. She must be sick.
V
Catherine tried to pick a firm way through the slush of the sidewalk.
Flora must live in this block. She peered at the numbers over dark
doorways, under the sagging zigzags of fire escapes. The snow had been
thrown up in a dirty barricade along the edge of the walk, and over
the upset garbage and ash cans, down the short mounds, shrieked and
wailed and coasted innumerable children. It was like a diminutive
and distorted minstrel show, thought Catherine, stepping hastily out
of the path of a small black baby spinning down into the slush on a
battered tin tray. Snow on the East Side, and on the Drive--she had a
wry picture of the beauty of the morning.
There. 91-A. She stood at the entrance, with a hesitant glance into the
dim hall. Absurd to be nervous about entering. She had never seen where
Flora lived, although she had heard the dirge of rising rent and lack
of repairs which Flora occasionally intoned. She walked to the first
door and knocked boldly.
"Who dar?" The voice bellowed through the door.
"Does Mrs. Flora Lopez live in this house?" Catherine had a notion that
the dim house gave a flutter of curiosity, as if doors moved cautiously
ajar. "I'm Mrs. Hammond," she added sharply to the closed door. "She
works for me."
The door swung open a crack, and a fat dusky face appeared, one white
eye gleaming.
"You wants Mis' Flora Lopez?"
"Do you know her? Which is her flat?"
"Sure I knows her." The round eye held her in hostile inspection. "Is
you f'om the police station, too?"
"No. She works for me. Is she sick?" Queer, how that sense of listening
enmity flowed down the crooked stairway. "Which is her flat?"
"She ain't sick, exac'ly. Ain't she come to wuk to-day?"
"Who zat, want Flora?" The voice came richly down the stairway.
"Which is her flat?" insisted Catherine.
The door opened wider, disclosing a ponderous figure with great soft
hips and bosom, a small child in a torn red sweater clinging to her
skirts and looking up with round frightened eyes.
"She lives on the top flo' rear. I donno as she's home."
Public-domain text, read in full here on John Shaqi.
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