Mother said there was no use in putting down a carpet in a dining-room
where you constantly fed a host, and the boys didn't clean their feet
as carefully as they should in winter; but there were useful rags where
they belonged, and in our bedroom opening from it also. The
dining-room wall paper had a broad stripe of rich cream with pink
cabbage roses scattered over it and a narrow pink stripe, while the
woodwork was something perfectly marvellous. I didn't know what kind
of wood it was, but a man who could turn his hand to anything, painted
it. First, he put on a pale yellow coat and let it dry. Then he added
wood brown, and while it was wet, with a coarse toothed comb, a rag,
and his fingers, he imitated the grain, the even wood, and knotholes of
dressed lumber, until many a time I found myself staring steadily at a
knot to see if a worm wouldn't really come working out. You have to
see a thing like that to understand how wonderful it is. You couldn't
see why they washed the bedding, and took the feathers from the pillows
and steamed them in mosquito netting bags and dried them in the shade,
when Sally's was to be a morning wedding, but they did. I even had to
take a bucket and gather from around the walls all the little heaps of
rocks and shells that Uncle Abraham had sent mother from California,
take them out and wash and wipe them, and stack them back, with the
fanciest ones on top. He sent her a ring made of gold he dug himself.
She always kept the ring in a bottle in her bureau, and she meant to
wear it at the wedding, with her new silk dress. I had a new dress
too. I don't know how they got everything done. All of them worked,
until the last few days they were perfect cross patches.
Public-domain text, read in full here on John Shaqi.
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