“You have written good English, and very close to the Latin, too,” I
told him, “particularly in the last line.” And I picked up from the
bridge which we were crossing, an oyster-shell, and sent it skimming
over the smooth water that stretched between the low shores, wide, blue,
and vacant.
“I suppose you wonder why we call this the ‘New Bridge,’” he remarked.
“I did wonder when I first came,” I replied.
He smiled. “You’re getting used to us!”
This long structure wore, in truth, no appearance of yesterday. It was
newer than the “New Bridge” which it had replaced some fifteen years
ago, and which for forty years had borne the same title. Spanning
the broad river upon a legion of piles, this wooden causeway lies
low against the face of the water, joining the town with a serene and
pensive country of pines and live oaks and level opens, where glimpses
of cabin and plantation serve to increase the silence and the soft,
mysterious loneliness. Into this the road from the bridge goes straight
and among the purple vagueness gently dissolves away.
We watched a slow, deep-laden boat sliding down toward the draw, across
which we made our way, and drew near the further end of the bridge. The
straight avenue of the road in front of us took my eyes down its quiet
vista, until they were fixed suddenly by an alien object, a growing
dot, accompanied by dust, whence came the small, distorted honks of
an automobile. These fat, importunate sounds redoubled as the machine
rushed toward the bridge, growing up to its full staring, brazen
dimensions. Six or seven figures sat in it, all of the same dusty,
shrouded likeness, their big glass eyes and their masked mouths
suggesting some fabled, unearthly race, a family of replete and bilious
ogres; so that as they flew honking by us I called out to John:--
“Behold the yellow rich!” and then remembered that his Hortense probably
sat among them.
The honks redoubled, and we turned to see that the drawbridge had no
thought of waiting for them. We also saw a bewildered curly white dog
and a young girl, who called despairingly to him as he disappeared
beneath the automobile. The engine of murder could not, as is usual,
proceed upon its way, honking, for the drawbridge was visibly swinging
open to admit the passage of the boat. When John and I had run back near
enough to become ourselves a part of the incident, the white dog lay
still behind the stationary automobile, whose passengers were craning
their muffled necks and glass eyes to see what they had done, while one
of their number had got out, and was stooping to examine if the machine
had sustained any injuries. The young girl, with a face of anguish, was
calling the dog’s name as she hastened toward him, and her voice aroused
him: he lifted his head, got on his legs, and walked over to her, which
action on his part brought from the automobile a penetrating female
voice:--
“Well, he’s in better luck than that Savannah dog!”
Public-domain text, read in full here on John Shaqi.
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