And with these thoughts in my mind, and remembering a certain very grave
talk I had once held with Eliza in the Exchange about the North and the
South, in which it was my good fortune to make her see that there is on
our soil nowadays such a being as an American, who feels, wherever
he goes in our native land, that it is all his, and that he belongs
everywhere to it, I looked at the little John Mayrant, and then I said
to his mother:--
“And will you teach him ‘Dixie’ and ‘Yankee Doodle’ as well?”
But Eliza smiled at me with friendly, inscrutable eyes.
“Oh,” said John, “you mustn’t ask too much of the ladies. I’ll see to
all that.”
Perhaps he will. And an education at Harvard College need not cause
the boy to forget his race, or his name, or his traditions, but only to
value them more, as they should be valued. And the way that they should
be valued is this: that the boy in thinking of them should say to
himself, “I am proud of my ancestors; let my life make them proud of
me.”
But, in any case, is it not pleasant to think of the boy being brought
up by Eliza, and not by Hortense?
And so my portrait of Kings Port is finished. That the likeness is not
perfect, I am only too sensible. No painter that I have heard of ever
satisfies the whole family. But, should any of the St. Michaels see
this picture, I trust they may observe that if some of the touches are
faulty, true admiration and love of his subject animated the artist’s
hand; and if Miss Josephine St. Michael should be pleased with any
of it, I could wish that she might indicate this by sending me a Lady
Baltimore; we have no cake here that approaches it.
End of the Project Gutenberg EBook of Lady Baltimore, by Owen Wister
Public-domain text, read in full here on John Shaqi.
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