Lady Barbarina, The Siege of London, An International Episode, and Other TalesJames, Henry
General
Lady Barbarina, The Siege of London, An International Episode, and Other Tales
James, Henry
England -- Social life and customs -- 19th century -- Fiction; Europe -- Social life and customs -- 19th century -- Fiction
“The back piazza at my sister’s? Oh don’t; it was too horrid. She has
left now. I believe every one has left.” The member of Parliament drew
out his watch with the air of a man who could take no part in these
domestic reminiscences; he appeared to combine a generic self-possession
with a degree of individual shyness. He said something about its being
time they should go back to their seats, but Mrs. Headway paid no
attention to the remark. Waterville wished her to linger and indeed felt
almost as free to examine her as he had to walk, in a different spirit,
round the statue of the author of _Candide_. Her low-growing hair, with
its fine dense undulations, was of a shade of blackness that has now
become rare; her complexion had the bloom of a white flower; her profile,
when she turned her head, was as pure and fine as the outline of a cameo.
“You know this is their first theatre,” she continued, as if to rise to
the occasion. “And this is Voltaire, the celebrated writer.”
“I’m devoted to the Comédie Française”—Waterville rose as well.
“Dreadfully bad house; we didn’t hear a word,” said Sir Arthur Demesne.
“Ah, yes, the sad far boxes!” murmured Waterville.
“I’m rather disappointed,” Mrs. Headway went on. “But I want to see what
becomes of that woman.”
“Doña Clorinde? Oh I suppose they’ll shoot her. They generally shoot
the women in French plays,” Littlemore said.
“It will remind me of San Pablo!” cried Mrs. Headway.
“Ah, at San Pablo the women did the shooting.”
“They don’t seem to have killed _you_!” she returned archly.
“No, but I’m riddled with wounds.”
“Well, this is very remarkable”—the lady reverted to Houdon’s statue.
“It’s beautifully modelled.”
“You’re perhaps reading M. de Voltaire,” Littlemore suggested.
“No; but I’ve purchased his works.”
“They’re not proper reading for ladies,” said the young Englishman
severely, offering his arm to his charge.
“Ah, you might have told me before I had bought them!” she exclaimed in
exaggerated dismay.
“I couldn’t imagine you’d buy a hundred and fifty volumes.”
“A hundred and fifty? I’ve only bought two.”
“Perhaps two won’t hurt you!” Littlemore hopefully contributed.
She darted him a reproachful ray. “I know what you mean—that I’m too bad
already! Well, bad as I am you must come and see me.” And she threw him
the name of her hotel as she walked away with her Englishman. Waterville
looked after the latter with a certain interest; he had heard of him in
London and had seen his portrait in _Vanity Fair_.
It was not yet time to go down, in spite of this gentleman’s saying so,
and Littlemore and his friend passed out to the balcony of the foyer.
“Headway—Headway? Where the deuce did she get that name?” Littlemore
asked as they looked down into the flaring dusk.
“From her husband I suppose,” his friend suggested.
“From her husband? From which? The last was named Beck.”
Public-domain text, read in full here on John Shaqi.
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