Lady Barbarina, The Siege of London, An International Episode, and Other TalesJames, Henry
General
Lady Barbarina, The Siege of London, An International Episode, and Other Tales
James, Henry
England -- Social life and customs -- 19th century -- Fiction; Europe -- Social life and customs -- 19th century -- Fiction
“I don’t want to attract so much; I think it’s vulgar.” She spoke as if
she liked to use the word. She was evidently open to new sources of
pleasure.
“Every one was looking at you the other night at the theatre,” Littlemore
continued. “How can you hope to escape notice?”
“I don’t want to escape notice. People have always looked at me and I
guess they always will. But there are different ways of being looked at,
and I know the way I want. I mean to have it too!” Mrs. Headway prettily
shrilled. Yes, she was full of purpose.
He sat there face to face with her and for some time said nothing. He
had a mixture of feelings, and the memory of other places, other hours,
was stealing over him. There had been of old a very considerable absence
of interposing surfaces between these two—he had known her as one knew
people only amid the civilisation of big tornadoes and back piazzas. He
had liked her extremely in a place where it would have been ridiculous to
be difficult to please. But his sense of this fact was somehow connected
with other and such now alien facts; his liking for Nancy Beck was an
emotion of which the sole setting was a back piazza. She presented
herself here on a new basis—she appeared to want to be classified afresh.
Littlemore said to himself that this was too much trouble; he had taken
her at the great time in that way—he couldn’t begin at this late hour to
take her in another way. He asked himself if she were going to be a real
bore. It wasn’t easy to suppose her bent on ravage, but she might become
tiresome if she were too disposed to be different. It made him rather
afraid when she began to talk about European society, about his sister,
to pronounce things vulgar. Littlemore was naturally merciful and
decently just; but there was in his composition an element of the
indolent, the sceptical, perhaps even the brutal, which made him
decidedly prefer the simplicity of their former terms of intercourse. He
had no particular need to see a woman rise again, as the mystic process
was called; he didn’t believe in women’s rising again. He believed in
their not going down, thought it perfectly possible and eminently
desirable; but held it was much better for society that the divisions,
the categories, the differing values, should be kept clear. He didn’t
believe in bridging the chasms, in muddling the kinds. In general he
didn’t pretend to say what was good for society—society seemed to him
rather in a bad way; but he had a conviction on this particular point.
Nancy Beck going in for the great prizes, that spectacle might be
entertaining for a simple spectator; but it would be a nuisance, an
embarrassment, from the moment anything more than detached “fun” should
represent his share. He had no wish to be “mean,” but it might be well
to show her he wasn’t to be humbugged.
“Oh if there’s anything you want you’ll have it,” he said in answer to
her last remark. “You’ve always had what you want.”
Public-domain text, read in full here on John Shaqi.
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