It had been Waterville’s idea that they should go to the theatre. Littlemore, who was always for not going anywhere, had recommended that, the evening being lovely, they should simply sit and smoke at the door of the Grand Café in comparatively pensive isolation. Nevertheless Waterville enjoyed the second act even less than he had done the first, which he thought heavy. He began to wonder whether his companion would wish to stay to the end; a useless line of speculation, for now that he had got to the theatre Littlemore’s aversion to change would certainly keep him from moving. Waterville also wondered what he knew about the lady in the box. Once or twice he glanced at his friend, and then was sure the latter wasn’t following the play. He was thinking of something else; he was thinking of that woman. When the curtain fell again he sat in his place, making way for his neighbours, as usual, to edge past him, grinding his knees—his legs were long—with their own protuberances. When the two men were alone in the stalls he spoke. “I think I should like to see her again, after all.” He spoke in fact as if Waterville might have known all about her. Waterville was conscious of not doing so, but as there was evidently a good deal to know he recognised he should lose nothing by exerting some art. So for the moment he asked no question; he only said: “Well, here’s the glass.” Littlemore gave him a glance of good-natured compassion. “I don’t mean I want to keep letting _that_ off at her. I mean I should rather like to see her as I used to.” “And how did you use to?” asked Waterville with no art now. “On the back piazza at San Pablo.” And as his comrade, in receipt of this information, only stared he went on: “Come out where we can breathe and I’ll tell you more.”