Lady Car: The Sequel of a LifeOliphant, Mrs. (Margaret)
General
Lady Car: The Sequel of a Life
Oliphant, Mrs. (Margaret)
Marriage -- Fiction; Mothers and sons -- Fiction
‘It is not for Tom,’ she said; ‘Edward, cannot you understand? it is for
myself.’
‘You are not the sort of woman to think of yourself when Tom’s interests
are at stake. We ought to stay even after he is gone, to make all the
friends we can for him. For my own part, I like the place very well,’
Beaufort said. ‘And then there is your sister so near at hand. You must
try to forget the little accident that has disgusted you, Carry. Think
of the pleasure of having Edith so near at hand--and that excellent
fellow John--though he’s too much of an M.P.’
It was with purpose that Beaufort laughed, with that gentle and friendly
ridicule of his brother-in-law, to carry her thoughts away from the
accident--from Tom’s escapade, which he thought was the foundation of
Carry’s trouble. And what could she say more? She did not, could not,
tell him that Tom’s look had reminded her of another, and that Torrance
himself, standing in full length in the hall, claiming its sovereignty,
master of all that was within, kept the miseries of her past life and
her unsatisfied heart too terribly before her. Of that she could say
nothing to her husband, nor of Janet’s rebellion, nor above all of what
was intolerable in Edith’s gentle society, the sense of her superior
happiness, her pity for poor Carry! He might have divined what it was
which made the house intolerable to her; but if he did not, how could
she say it? Thus Lady Car gradually achieved the power of living on, of
smiling upon all who surrounded her with something in her eyes which
nobody comprehended, but which some few people were vaguely aware of,
though they comprehended it not.
‘Poor Carry!’ Lady Edith said, in the very tone which Lady Car heard in
her heart: but it was said in John Erskine’s library at Dalrulzian, with
the windows closed, five miles away.
‘Why poor Carry?’ asked her husband; ‘if you were to ask her, she would
say she was a happy woman, happy beyond anything she could have hoped.
When I think of her with that brute Torrance--where is she now, but in
such different circumstances.’
‘Oh, John, the circumstances are different; Edward is very nice: but----
’
‘But what?’
‘Carry is not like you and me,’ said Edith, shaking her head.
‘No: perhaps so much the better for us. She is fanciful and poetical and
nervous, not easy to satisfy; but the comparison--must be like heaven
after hell.’
Edith continued to shake her head, but said no more. What was there to
say? She could not perhaps have put it into words had she tried, and how
get John to understand it?--a man immersed in public business, fearing
that soon he should need a private secretary, which was an expense quite
unjustified by his means. She patted him on the shoulder as she stood
behind his chair, and said, ‘Poor John, have you all these letters to
answer?’
‘Every one,’ he said, with a laugh. ‘You are in a compassionate humour
to-day. Suppose you answer a few of them for me, instead of saying poor
John.’
Public-domain text, read in full here on John Shaqi.
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