England -- Social life and customs -- 19th century -- Fiction; Love stories; Oxford (England) -- Fiction; Young women -- Fiction
“My father thanks you for your offer, gentlemen. He is very sorry he is
not able to see you as he hoped. He is not very well this afternoon.
But I am to say that he will let you have an answer in twenty-four
hours. Then if he agrees to your terms, the matter will have to go
before the court. That, of course, our lawyers explained to you—”
“That will not suit me at all!” cried Herr Schwarz. “As far as your
father is concerned, my offer must be accepted—or rejected—now.”
He struck his open hand on the polished mahogany of the table beside
him.
“Then I am very sorry you have had the trouble of coming down,” said
Falloden politely. “Shall I order your carriage?”
The great ship-owner stared at him. He was on the point of losing his
temper, perhaps of withdrawing from his bargain, when over Falloden’s
head he caught sight of the Titian and the play of light on its shining
armour; of the Van Dyck opposite. He gave way helplessly; gripped at
the same moment by his parvenu’s ambition, and by the genuine passion
for beautiful things lodged oddly in some chink of his common and
Philistine personality.
“I have the refusal then—for twenty-four hours?” he said curtly.
Falloden nodded, wrote him a statement to that effect, ordered whisky
and soda, and saw them safely to their carriage.
Then pacing slowly through the rooms, he went back towards the library.
His mind was divided between a kind of huckster’s triumph and a sense
of intolerable humiliation. All around him were the “tribal signs” of
race, continuity, history—which he had taken for granted all his life.
But now that a gulf had opened between him and them, his heart clung to
them consciously for the first time. No good! He felt himself cast
out—stripped—exposed. The easy shelter fashioned for him and his by the
lives of generations of his kindred had fallen in fragments about him.
“Well—I never earned it!”—he said to himself bitterly, turning in
disgust on his own self-pity.
When he reached the library he found his father walking up and down
deep in thought. He looked up as his son entered.
“Well, that saves the bankruptcy, Duggy, and—as far as I can see—leaves
a few thousands over—portions for the younger children, and what will
enable you to turn round.”
Douglas assented silently. After a long look at his son, Sir Arthur
opened a side door which led from the library into the suite of
drawing-rooms. Slowly he passed through them, examining the pictures
steadily, one by one. At the end of the series, he turned and came back
again to his own room, with a bent head and meditative step. Falloden
followed him.
In the library, Sir Arthur suddenly straightened himself.
“Duggy, do you hate me—for the mess I’ve made—of your inheritance?”
The question stirred a quick irritation in Falloden. It seemed to him
futile and histrionic; akin to all those weaknesses in his father which
had brought them disaster.
Public-domain text, read in full here on John Shaqi.
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