England -- Social life and customs -- 19th century -- Fiction; Love stories; Oxford (England) -- Fiction; Young women -- Fiction
“Because you were jealous? What a fool you were! She never cared a
brass farthing for me—except as she, does now. She would like to nurse
me—and give me back my music. But she can’t—and you can’t.”
There was silence again. Otto’s chest heaved. As far as he could with
his one hand, he hid the tears in his eyes from his companion. And at
last he shook off emotion—with a laugh in which there was no mirth.
“Well, at least, I shouldn’t make such a row now as I used to
do—practising.”
Falloden understood his reference to the soda-water bottle fusillade,
by which the “bloods,” in their first attack upon him, had tried to
silence his piano.
“Can’t you play at all?” he said at last, choosing the easiest of
several remarks that presented themselves.
“I get about somehow on the keys. It’s better than nothing. And I’m
writing something for my degree. It’s rather good. If I could only keep
well!” said the boy impatiently. “It’s this damned health that gets in
the way.”
Then he threw himself back in his chair, all the melancholy of his face
suddenly breaking up, the eyes sparkling.
“Suppose I set up one of those automatic pianos they’re now talking
about—could you stand that?”
“I would have a room where I didn’t hear it. That would be all right.”
“There’s a wonderful idea I heard of from Paris a week or two ago,”
said Otto excitedly—“a marvellous electric invention a man’s at work
on, where you only turn a handle, or press a button, and you get
Rubinstein—or Madame Schumann or my country-man, Paderewski, who’s
going to beat everybody. It isn’t finished yet. But it won’t be for the
likes of me. It’ll cost at least a thousand pounds.”
“They’ll get cheaper,” said Falloden, his chin in his hands, elbows on
knees, and eyes fixed on his companion. It seemed to him he was talking
in a dream, so strange was this thing he had proposed; which apparently
was going to come to pass. At any rate Radowitz had not refused. He sat
with the dachshund on his knees, alternately pulling out and folding
its long ears. He seemed to be, all in a moment, in high spirits, and
when he saw Connie coming back through the garden gate, with a shy,
hesitating step, he sprang up eagerly to greet her. But there was
another figure behind her. It was Sorell; and at sight of him
“something sealed” the boy’s lips. He looked round at Falloden, and
dropped back into his chair.
Falloden rose from his seat abruptly. A formal and scarcely perceptible
greeting passed between him and Sorell. All Falloden’s irritable
self-consciousness rushed back upon him as he recognised the St.
Cyprian tutor. He was not going to stay and cry _peccavi_ any more in
the presence of a bloodless prig, for whom Oxford was the world. But it
was bitter to him all the same to leave him in possession of the garden
and Connie Bledlow’s company.
“Thank you—I must go,” he said brusquely, as Connie tried to detain
him. “There is so much to do nowadays. I shall be leaving Flood next
week. The agent will be in charge.”
Public-domain text, read in full here on John Shaqi.
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