England -- Social life and customs -- 19th century -- Fiction; Love stories; Oxford (England) -- Fiction; Young women -- Fiction
The autumn evening darkened slowly. At last!—a ring and a double knock.
The study door opened, and Connie heard Nora’s step, and the click of
the letter-box. The study door closed again.
Connie put down her novel and listened. Her hands trembled. She was
full indeed of qualms and compunctions. Would they be angry with her?
She had meant it well.
Footsteps approaching—not Nora’s.
Uncle Ewen stood in the doorway—looking very pale and strained.
“Connie, would you mind coming into my study? Something rather strange
has happened.”
Connie got up and slowly followed him across the hall. As she entered
the study, she saw Nora, with blazing eyes and cheeks, standing by her
father’s writing-table, aglow with anger or excitement—or both. She
looked at Connie as at an enemy, and Connie flushed a bright pink.
Uncle Ewen shut the door, and addressed his niece. “My dear Connie, I
want you, if you can—to throw some light on a letter I have just
received. Both Nora and I suspect your hand in it. If so, you have done
something I—I can’t permit.”
He held out a letter, which Connie took like a culprit. It was a
communication from his Oxford bankers to Professor Hooper, to the
effect that, a sum of £1100 having been paid in to his credit by a
person who desired to remain unknown, his debt to them was covered, and
his account showed a balance of about six hundred pounds.
“My dear!”—his voice and hand shook—“is that your doing?”
“Of course it is!” interrupted Nora passionately. “Look at her, father!
How dared you, Connie, do such a thing without a word to father! It’s a
shame—a disgrace! We could have found a way out—we could!”
And the poor child, worn out with anxiety and lack of sleep, and in her
sensitive pride and misery ready to turn on Connie and rend her for
having dared thus to play Lady Bountiful without warning or permission,
sank into a chair, covered her face with her hands, and burst out
sobbing.
Connie handed back the letter, and hung her head. “Won’t you—won’t you
let the person—who—sent the money remain unknown, Uncle Ewen?—as they
wished to be?”
Uncle Ewen sat down before his writing-table, and he also buried his
face in his hands. Connie stood between them—as it were a prisoner at
the bar—looking now very white and childish.
“Dear Uncle Ewen—”
“How did you guess?” said Nora vehemently, uncovering her face—“I never
said a word to you!”
Connie gave a tremulous laugh.
“Do you think I couldn’t see that you were all dreadfully unhappy about
something? I—I made Alice tell me—”
“Alice is a sieve!” cried Nora. “I knew, father, we could never trust
her.”
“And then”—Connie went on—“I—I did an awful thing. I’d better tell you.
I came and looked at Nora’s papers—in the schoolroom drawer. I saw
that.” She pointed penitentially to a sheet of figures lying on the
study table.
Both Nora and her uncle looked up in amazement, staring at her.
Public-domain text, read in full here on John Shaqi.
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