Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
He listened, marvelled, and broke into joyous laughter. He would have
none of it. Why, she was fit to be a queen!--a thousand times too good
for him. His family? Their prejudices should fall down before her and
worship. As little as she did he set store by rites of the Church or
believe in them: but, as the world went, to neglect them would be to
stint her of the chief honour. Was this fair to him, who desired to
heap honours upon her and would stretch for them even beyond his power?
His passion, rather than his arguments, overbore her. That passion
rejuvenated him. Once or twice it choked his voice, and her heart
leapt; for she was a sensible girl and, remembering the dead Margaret
Dance, had schooled herself to know that what was first love with her,
drenching her heart with ecstasy, could never be first love with him.
Yet now and again the miracle declared itself and instead of a lord,
commanding her, he stood before her a boy: and with a boy's halting
speech--ah, so much dearer than eloquence!
Beyond a doubt he was over head and ears in love. He was honest, too,
in his desire to set her high and make a queen of her. In Boston, Mr.
Ned Manley, architect of genius, was sitting up into the small hours of
morning; now, between potations of brandy, cursing Sir Oliver for a
slave-driver, while Batty Langton looked on and criticised with a smile
that tolerated a world of fools for the sake of one or two inspired
ones; anon working like a demon and boasting while he worked.
Already on a hillside between Boston and Sweetwater Farm--the hill
itself could be seen from the farmstead, but not their operations, which
lay on the far side--three hundred labourers were toiling in gangs,
levelling, terracing, hewing down forest trees, laying foundations.
Already ships were heading for Boston Harbour with statuary and wrought
marble in their holds, all to beautify a palace meet for Oliver Vyell's
bride. Thus love wrought in him, in a not extraordinary way if we allow
for his extraordinary means. He and Ruth, between them, were beginning
to sing the eternal duet of courtship:--
_He_.--Since that I love, this world has grown;
Yea, widens all to be possest.
_She_--Since that I love, it narrows down
Into one little nest.
_He_.--Since that I love, I rage and burn
O'erwhelming Nineveh with Rome!
_She_.--In vain! in vain! Fond man return--
Such doings be at home!
He had reached an age to know himself in his own despite. He was no
boy, to dream of building or overthrowing empires. But he could build
his love a palace. His friend Batty Langton bore with all this energy
and smiled wisely.
Ruth guessed nothing of these preparations. But his vehemence broke
down her scruples, overbore and swept away what she had built in hours
of patient thinking. She yielded: she would be married, since he willed
it.
Public-domain text, read in full here on John Shaqi.
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