Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
There were rents in the streets, too--chasms, half-filled with
rubble, reaching right across the roadway. After being snatched back
by Langton from the brink of one of these chasms, Ruth steeled her
heart to be thankful when a burning house shed light for her
footsteps. At the houses themselves, after an upward glance or two,
she dared not look again. They leaned this way and that, the fronts
of some thrust outward at an angle to forbid any but the foolhardiest
from passing underneath.
But, indeed, they had little time to look aloft as they penetrated to
streets littered, where the procession had passed, with wrecked
chaises, dead mules, human bodies half-buried and half-burnt, charred
limbs protruding awkwardly from heaps of stones. Here, by ones and
twos, pedestrians tottered past, crying that the world was at an end;
here, on a heap where, belike, his shop had stood, a man knelt
praying aloud; here a couple of enemies met by chance, seeking their
dead, and embraced, beseeching forgiveness for injuries past.
These sights went by Ruth as in a dream; and as in a dream she heard
the topple and crack of masonry to right and left. Langton guided
her; and haggard, perspiring, they bent their heads to the strange
wind now howling down the street as through a funnel, and foot by
foot battled their way.
The wind swept over their bent heads, carrying flakes of fire to
start new conflagrations. The stream of these flakes became so
steady that Ruth began to count on it to guide her. She began to
think that amid all this dissolution to right and left, some charm
must be protecting them both, when, as he stretched a hand to help
her across a mound of rubble she saw him turn, cast a look up and
fall back beneath a rush of masonry. A flying brick struck her on
the shoulder, cutting the flesh. For the rest, she stood unscathed;
but her companion lay at her feet, with legs buried deep, body buried
to the ribs.
"Your hand!" she gasped.
He stretched it out feebly, but withdrew it in an agony; for the
stones crushed his bowels.
"You are hurt?"
"Killed." He contrived a smile. "Not so wide as a church door," he
quoted, looking up at her strangely through the wan light; "but
'twill serve."
"My friend! and I cannot help you!" She plucked vainly at the mass
of stones burying his legs.
He gasped on his anguish, and controlled it.
"Let be these silly bricks. . . . They belong to some grocer's
kitchen-chimney, belike--but they have killed me, and may as well
serve for my tomb. Reach me your hand."
He took it and thrust it gently within the breast of his waistcoat.
There, guided by him, her fingers closed on the handle of a tiny
stiletto.
"The sheath too . . . it is sewn by a few stitches only." He looked
up into her eyes. "You are too beautiful to be wandering these
streets alone."
"I understand," she said gravely.
"Now go." He pressed the back of her hand to his lips, and released
it.
"Can I do nothing?" she asked, with a hard sob.
Public-domain text, read in full here on John Shaqi.
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