Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
He had come at a strolling pace across the square, with Manasseh and the
deputy-beadle walking wide beside him, and the Court-house rabble at his
heels, but keeping, in spite of themselves, a respectful distance.
At the stocks he faced about, and they halted on the instant, as though
he had spoken a word of command. He smiled, seated himself leisurably
at the end of the bench on Ruth Josselin's left, and extended a leg for
Manasseh to draw off its riding-boot. At the back of the crowd a few
voices chattered, but within the semicircle a hush had fallen.
It was then that she turned her eyes and saw him.
How came he here? What was he doing? . . . She could not comprehend at
all. Only she felt her heart leap within her and stand still, as like a
warm flood the consciousness of his presence stole through her, poured
over her, soothing away for the moment all physical anguish. She sat
very still, her hands in her lap; afraid to move, afraid even to look
again. This consciousness--it should have been shame, but it held no
shame at all. It was hope. It came near, very near, to bliss.
She was aware in a dull way of some one unlocking and lifting the upper
beam of the stocks. Were they releasing her? Surely her sentence had
been for five hours?--surely her faintness could not have lasted so
long! This could not be the end? She did not wish to be released.
She would not know what to do, where to go, when they set her free.
She must walk home through the town, and that would be worst of all.
Or perhaps _he_ was commanding them to release her? . . . No; the beam
creaked and dropped into place again. A moment ago his voice had been
speaking; speaking very cheerfully, not to her. Now it was silent.
After some minutes she gathered courage to turn her eyes again.
Captain Vyell sat with his legs in durance. They were very shapely
legs, cased in stockings of flesh-coloured silk with crimson knee-ties.
He sat in perfect patience, and rolled a tobacco-leaf between his
fingers. At his shoulder stood Manasseh like a statue, with face
immobile as Marble--black marble--and a tinder-box ready in his hand.
"Why? . . ."
He could not be sure if it were a word, or merely a sigh, deep in her
breast, so faintly it reached him. She had murmured it as if to
herself, yet it seemed to hang on a question. His ear was alert.
"Hush!" he said, speaking low and without glancing towards her, for the
eyes of the crowd were on them. "The faintness is over?"
"Yes."
"Do not talk at all. By-and-by we will talk. Now I am going to ask you
a selfish question, and you are just to bend your head for 'yes' or
'no.' Will the smell of tobacco distress you, or bring the faintness
back? These autumn flies sting abominably here, under the trees."
She moved her head slowly. "I do not feel them," she said after a
while.
Public-domain text, read in full here on John Shaqi.
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