Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
He glanced at her compassionately before nodding to Manasseh for a
light. "No, poor wretch, I'll be sworn you do not," he muttered between
the puffs. "Thank you, Manasseh; and now will you step down to the Inn,
order the horses back to stable, and bring George and Harry back with
you? I may require them to break a head or two here, if there should be
trouble. Tell Alexander"--this was the coachman--"to have an eye on
Master Dicky, and see that he gets his dinner. The child is on no
account to come here, or be told about this. His papa is detained on
business--you understand? Yes, and by the way, you may extract a book
from the valise--the Calderon, for choice, or if it come handier, that
second volume of Corneille. Don't waste time, though, in searching for
this or that. In the stocks I've no doubt a book is a book: the
instrument has a reputation for levelling."
Manasseh departed on his errand, and for a while the Collector paid no
heed to his companion. He and she were now unprotected, at the mercy of
the mob if it intended mischief; and the next few minutes would be
critical.
He sat immersed apparently in his own thoughts, and by the look on his
face these were serious thoughts. He seemed to see and yet not to see
the ring of faces; to be aware of them, yet not concerned with them, no
whit afraid and quite as little defiant. True, he was smoking, but
without a trace of affected insouciance or bravado; gravely rather,
resting an elbow on his groin and leaning forward with a preoccupied
frown. Two minutes passed in this silence, and he felt the danger
ebbing. Mob insolence ever wants a lead, and--perhaps because with the
return of fine weather the fishing-crews had put to sea early--this Port
Nassau crowd lacked a fugleman.
"Are you here--because--of me?"
"Hush, again," he answered quietly, not turning his head. "I like you
to talk if you feel strong enough; but for the moment it will be better
if they do not perceive. . . . Yes, and no," he answered her question
after a pause. "I am here to see that you get through this. You are in
pain?"
"Yes; but it is easier."
"You are afraid of these people?"
"Afraid?" She took some time considering this. "No," she said at
length. "I am not afraid of them. I do not see them. You are here."
He took the tobacco-leaf from his lips, blew a thin cloud of smoke with
grave deliberateness, and in doing so contrived to glance at her face.
"You have blood in you. That face, too, my beauty," he muttered,
"never came to you but by gift of blood." Aloud he said, "That's brave.
But take care when your senses clear and the strain comes back on you.
Speak to me when you feel it coming; I don't want it to tauten you up
with a jerk. You understand?"
"Yes. . . ."
Public-domain text, read in full here on John Shaqi.
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