Lady Maclairn, the victim of villany : A novel, volume 4 (of 4)Hunter, Mrs. (Rachel)
General
Lady Maclairn, the victim of villany : A novel, volume 4 (of 4)
Hunter, Mrs. (Rachel)
English fiction
Again I am permitted to take a better cordial than bark. Mrs. Heartley
has fully explained to us the mystery relative to the portraits in Miss
Flint’s possession. It appears that Mrs. Howard, apprehending that they
would be more pernicious to her brother, than consolatory, requested
Mrs. Heartley to secrete them from his search. She obeyed her dying
friend. “But,” added Mrs. Heartley, “my feelings at this juncture were
nearly as little under the control of my reason, as poor Percival’s. I
wrote a letter to Miss Flint, which was dictated by my sorrow, and the
romantic hope of touching her heart in favour of a child whom she had
contributed to render an _orphan_ and a _beggar_. I enclosed these
powerful pleaders,” continued Mrs. Heartley, taking up the miniatures,
and surveying them with emotion, “and my language was not less forcible.
Malcolm was employed to place my packet in her hands. He effected his
purpose; for she found it on her dressing table. The next morning he was
questioned, and he frankly owned, that he had, at my request, placed the
parcel where she had found it. You have been faithful, Sir, in the
performance of your commission, said Miss Flint, trembling and pale with
fury; “be so in delivering my message _to your Mrs. Heartley_. Tell her,
that her insolent and officious interference has failed, and that whilst
Miss Flint’s family have no better advocates than a kept mistress, she
wants no apology for renouncing it.” Malcolm bluntly told her, that she
must employ some one to deliver such a message who had never heard of
Mrs. Heartley; for himself, he begged leave to decline insulting his
best friend. I heard no more from Miss Flint; and I concluded that she
had destroyed the portraits in a similar manner as she had that of her
mother. Frustrated in my project, I was forced to conceal this
occurrence; and the pictures were supposed to be irrecoverably and
unaccountably lost.”
Public-domain text, read in full here on John Shaqi.
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