When Leo Swinford said that he was lodged like a prince there was little extravagance in the phrase. He was lodged like a prince indeed in the age of reason, not that of subdued æstheticism like this. The rooms in the Hall were spacious and lofty, and decorated with mirrors and gilding and marble, generally false marble, to an extent very rarely seen in England. And they were hung with pictures which would have been worth a king’s ransom had the names upon them been genuine, which of course they were not. A Swinford of a hundred years ago, Leo’s great-grandfather, had been one of those dilettanti of the eighteenth century to whom the languid Italy of those days was at once an idol and a place of plunder. He had filled his house with copies, with supposed antiques picked up here and there, with much old furniture and false statuary and bronzes. All the splendid names of art flourished on the walls; I am not sure that there was not a fragment, so called, of Phidias, from some classic excavation, and I am certain that there were several Raphaels, and even a Michael Angelo (the day of Botticelli was not yet). The cabinets and carvings which were genuine gave an air of reality to much that was false. If it was not true art, it was at least a good representation of the age when connoisseurs were few, when the craft of the copyist was in great request, and when it was fondly hoped, with that stupidity which belongs to the cultured person in all ages, that the model of the Italian palace, designed for skies and customs so different from ours, might be made to improve the natural beauty of an English house; the attempt was a mistake, but here and there, when carried out regardless of expense, it was not without effect, and the Hall was a good specimen of its period. A hundred years is a respectable period of time, and an example of the aims and meaning of a past century is worth preserving. But the large suites of rooms opening from each other, with large windows and doors, and no system of warming, were chilly and severe in a season still scarcely genial--England in this respect, with the cheerful open fires upon which we pride ourselves, being so much inferior to France with its calorifères, or Germany with its endless stuffy but effective stoves, in the art of keeping a house warm. Our houses, alas, are far from being warm, as many a shivering invalid knows.