“Has my uncle been consulted?” I asked. “From what I know of Thormanby
I should say he’s not at all likely to agree to my spending my life in
writing poetry.”
“His idea,” said my mother, “is that you should bring out a
comprehensive work on the economic condition of Ireland in the twentieth
century.”
“He thinks,” Lalage added, “that when you do go into Parliament it will
be a great advantage to you to be a recognized authority on something,
even if it’s only Irish economics.”
I knew, of course, that I should have to give in to a certain extent
in the end; but I was not prepared to fall in with Thormanby’s absurd
suggestion.
“Very well,” I said, “I shall write a book. I shall write my
reminiscences.”
“Reminiscences,” said Lalage, “are rather rot as a rule.”
“The bent of my genius,” I said, “is entirely reminiscent.”
Rather to my surprise Lalage accepted the reminiscences as a tolerable
substitute for the economic treatise. I suppose she did not really care
what I wrote so long as I wrote something.
“Very well,” she said. “We’ll give you six months.”
I had, I am bound to say, a very pleasant and undisturbed life during
the six months allowed me by Lalage. I did my writing, for the most
part, in the morning, working at the Dutch marquetry bureau from ten
o’clock until shortly after noon. I soon came to find a great deal of
pleasure in my work. The only thing which ever put me out of temper was
the picture of Milton dictating to two plump young women who had taken
off their bodices in order to write with more freedom. If there are any
peevish or ill-humoured passages in my book they are to be attributed
entirely to the influence of that picture, chiefly to the tousled look
of the younger daughter. The fact that her father was blind was no
excuse for her neglecting to do her hair when she got up in the morning.
I have secured, by the help of Selby-Harrison, a publisher for the book.
He insists on bringing it out as a novel and refuses to allow it to
be called “Memories of My Early Life,” the title I chose. “Lalage’s
Lovers,” the name under which it appears in his list of forthcoming
fiction, seems to me misleading. It suggests a sentimental narrative and
will, I fear, give rise to some disappointment. However, I suppose
that the book may sell better if we pretend that it is not true. But
in Ireland, at least, this device will be vain. The things with which I
deal were not done in a corner. There are many bishops who still smart
from Lalage’s attack on them, and Titherington, at all events, is not
likely to forget last year’s epidemic of influenza. I shall, indeed,
be very glad if the publisher’s ruse succeeds and the public generally
believes that I have invented the whole story. Now that the moment of
publication comes near and I am engaged in adding a few final sentences
to the last chapter I am beginning to feel nervous and uncomfortable.
There may be a good deal of trouble and annoyance when the book comes
out.
Public-domain text, read in full here on John Shaqi.
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