“What critic that can count,” said FADLADEEN, “and has his full complement of fingers to count withal, would tolerate for an instant such syllabic superfluities?” He here looked round, and discovered that most of his audience were asleep; while the glimmering lamps seemed inclined to follow their example. It became necessary, therefore, however painful to himself, to put an end to his valuable animadversions for the present, and he accordingly concluded, with an air of dignified candour, thus:—“Notwithstanding the observations which I have thought it my duty to make, it is by no means my wish to discourage the young man:—so far from it, indeed, that if he will but totally alter his style of writing and thinking, I have very little doubt that I shall be vastly pleased with him.” Some days elapsed, after this harangue of the Great Chamberlain, before LALLA ROOKH could venture to ask for another story. The youth was still a welcome guest in the pavilion—to _one_ heart, perhaps, too dangerously welcome:—but all mention of poetry was, as if by common consent, avoided. Though none of the party had much respect for FADLADEEN, yet his censures, thus magisterially delivered, evidently made an impression on them all. The Poet himself, to whom criticism was quite a new operation, (being wholly unknown in that Paradise of the Indies, Cashmere,) felt the shock as it is generally felt at first, till use has made it more tolerable to the patient;—the Ladies began to suspect that they ought not to be pleased, and seemed to conclude that there must have been much good sense in what FADLADEEN said, from its having sent them all so soundly to sleep;—while the self-complacent Chamberlain was left to triumph in the idea of having, for the hundred and fiftieth time in his life, extinguished a Poet. LALLA ROOKH alone—and Love knew why—persisted in being delighted with all she had heard, and in resolving to hear more as speedily as possible. Her manner, however, of first returning to the subject was unlucky. It was while they rested during the heat of noon near a fountain, on which some hand had rudely traced those well-known words from the Garden of Sadi,—“Many, like me, have viewed this fountain, but they are gone, and their eyes are closed for ever!”—that she took occasion, from the melancholy beauty of this passage, to dwell upon the charms of poetry in general. “It is true,” she said, “few poets can imitate that sublime bird, which flies always in the air, and never touches the earth:[153]—it is only once in many ages a Genius appears, whose words, like those on the Written Mountain, last for ever:[154] but still there are some, as delightful, perhaps, though not so wonderful, who, if not stars over our head, are at least flowers along our path, and whose sweetness of the moment we ought gratefully to inhale, without calling upon them for a brightness and a durability beyond their nature. In short,” continued she, blushing, as