She had proceeded thus far in relating the dream to her Ladies, when
FERAMORZ appeared at the door of the pavilion. In his presence, of
course, every thing else was forgotten, and the continuance of the story
was instantly requested by all. Fresh wood of aloes was set to burn in
the cassolets;—the violet sherbets[268] were hastily handed round, and
after a short prelude on his lute, in the pathetic measure of Nava,[269]
which is always used to express the lamentations of absent lovers, the
Poet thus continued:—
------------------------------------------------------------------------
The day is lowering—stilly black
Sleeps the grim wave, while heaven’s rack,
Dispers’d and wild, ’twixt earth and sky
Hangs like a shatter’d canopy.
There’s not a cloud in that blue plain
But tells of storm to come or past;—
Here, flying loosely as the mane
Of a young war-horse in the blast;—
There, roll’d in masses dark and swelling,
As proud to be the thunder’s dwelling!
While some, already burst and riven,
Seem melting down the verge of heaven;
As though the infant storm had rent
The mighty womb that gave him birth,
And, having swept the firmament,
Was now in fierce career for earth.
On earth ’twas yet all calm around,
A pulseless silence, dread, profound,
More awful than the tempest’s sound.
The diver steer’d for ORMUS’ bowers,
And moor’d his skiff till calmer hours;
The sea-birds, with portentous screech,
Flew fast to land;—upon the beach
The pilot oft had paus’d, with glance
Turn’d upward to that wild expanse;—
And all was boding, drear, and dark
As her own soul, when HINDA’S bark
Went slowly from the Persian shore.—
No music tim’d her parting oar,[270]
Nor friends upon the lessening strand
Linger’d, to wave the unseen hand,
Or speak the farewell, heard no more;—
But lone, unheeded, from the bay
The vessel takes its mournful way,
Like some ill-destin’d bark that steers
In silence through the Gate of Tears.[271]
And where was stern AL HASSAN then?
Could not that saintly scourge of men
From bloodshed and devotion spare
One minute for a farewell there?
No—close within, in changeful fits
Of cursing and of prayer, he sits
In savage loneliness to brood
Upon the coming night of blood,—
With that keen second-scent of death,
By which the vulture snuffs his food
In the still warm and living breath![272]
While o’er the wave his weeping daughter
Is wafted from these scenes of slaughter,—
As a young bird of BABYLON,[273]
Let loose to tell of victory won,
Flies home, with wing, ah! not unstain’d
By the red hands that held her chain’d.
Public-domain text, read in full here on John Shaqi.
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