American fiction -- 20th century; Detective and mystery stories
“Now I have something additional, through the King and his invaluable
sources of information on men and affairs. It is this: Monteagle is
known to certain portions of the night life. He was a two-faced society
blatherskite, with a broad streak of primal vulgarity, who drank tea in
swagger drawing-rooms with his fiancée and her friends in the afternoon
and champagne with an entirely different social set after midnight. You
know the kind. Was rather keen about women in an underhanded, quiet
way. It is not difficult for a man of his means to do a lot of things
behind the unassailable French restaurant walls and get by with it.
“You recall the knife was drawn neatly across both cheeks. I see you
indulged in a theory that he possibly was the victim of some blackmail
brotherhood. You even hinted at the Mafia. I am surprised at you. You
ought to let that exaggerated institution rest for a while. I have
a little theory of my own on that knifing business, which, I think,
we will now work upon. ’Phone Sampson when you get a chance that it
pleases Lanagan to go to work for his sweat-shop wages again.”
We parted company with Monahan after he had promised Lanagan to
drift through his particular world--or that portion of it which was
then up--and endeavour to learn something of the identity of any of
Monteagle’s affiliations under the rose.
We headed for the Sutton Building, and in the lobby found Murray, just
coming on duty.
“Do you think anyone could have gotten out of that room in the
excitement after you found the body?” asked Lanagan.
“No, sir,” said Murray, with aged preciseness. “I locked the door on
the outside when I went for an officer, and it could not have been
opened, because in my hurry I left my master’s key turned in the lock
when I went for a policeman.”
So much for Lanagan’s very plausible theory of the “get-away.” He came
up from it as suave as ever and asked:
“Could anyone have been in that room before Monteagle came in, do you
suppose?”
“No, sir,” said Murray, with the didacticism of the aged again. “No,
sir. There was nobody in that room. I know because the elevator boy,
Denny, heard the telephone bell ringing for eight or ten times, and
finally let himself in and answered it, but the party hung up. Mr.
Monteagle was very free and easy with us men, which accounts for Denny
taking the liberty. There was nobody in that room when Denny was in
there, and that was well after eight o’clock, after I came on duty. It
all gets me, sir, how that knife sticker got into that room or how he
got out after he got there. I don’t like to think Ole Stromberg had
a hand in it, but it looks a leetle black for Ole, according to the
papers. I know my skirts are clear.”
Public-domain text, read in full here on John Shaqi.
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