Lancashire: Brief Historical and Descriptive NotesGrindon, Leo H. (Leo Hartley)
History
Lancashire: Brief Historical and Descriptive Notes
Grindon, Leo H. (Leo Hartley)
Lancashire (England) -- Description and travel
The church architecture of the Norman times has plenty of examples in
Lancashire. It is well known also that many modern churches occupy old
Norman and even Saxon sites, though nothing of the original structure
has been preserved. The remains in question usually consist, as
elsewhere, of the massive pillars always employed by the Norman
architects for the nave, or of the ornamented arch which it was their
custom to place at the entrance of the choir. Examples of Norman
pillars exist at Colne, Lancaster, Hawkshead, Cartmel, Whalley, and
Rochdale; the last-named, with the arches above, bringing to mind the
choir of Canterbury Cathedral; at Clitheroe we find a chancel-arch;
and at the cheerful and pretty village of Melling, eleven miles
north-west of Lancaster, a Norman doorway, equalled perhaps in merit
by another at Bispham, near Blackpool. Chorley parish church also
declares itself of Norman origin, and at Blackburn are preserved
various sculptured stones, plainly from Norman tools, and which
belonged to the church now gone, as rebuilt or restored in the De Lacy
times. The most ancient ecclesiastical building in Lancashire is
Stede, or Styd, Chapel, a mile and a half north of the site of
Ribchester. The period of the erection would appear to be that of
Stephen, thus corresponding with the foundation of Furness Abbey. The
windows are narrow lancet; the doors, though rather pointed, are
enriched with Norman ornaments; the floor is strewed with ancient
gravestones. In this quiet little place divine service is still, or
was recently, held once a month.
Whalley Church, as we have it to-day--a building commemorative in site
of the introduction of the Christian faith into this part of
England--dates apparently, in its oldest portion--the pillars in the
north aisle--from the twelfth century. The choir is a little later,
probably of about 1235, from which time forwards it is evident that
building was continued for quite 200 years, so that Whalley, like York
Minster, is an epitome of architectural progress. The sedilia and
piscina recall times antecedent to the Reformation. Every portion of
the church is crowded with antiquities, many of them heraldic; very
specially inviting among them are the stalls in the chancel, eighteen
in number, transferred hither from the conventual church at the time
of the spoliation. The luxuriant carving of the abbot's stall is in
itself enough to repay an artist's journey. At the head of one of the
compartments of the east window we have the Lancastrian rose; the
flower of course tinctured gules, and almost the only representation
of it in the county:
"Let him that is no coward, nor no flatterer,
But dare maintain the party of the truth,
Pluck a red rose from off this thorn with me."
I _Henry VI._, ii. 4.
Public-domain text, read in full here on John Shaqi.
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