Lancashire: Brief Historical and Descriptive NotesGrindon, Leo H. (Leo Hartley)
History
Lancashire: Brief Historical and Descriptive Notes
Grindon, Leo H. (Leo Hartley)
Lancashire (England) -- Description and travel
Rochdale occupies the centre of the most distinctively
Lancashire-dialect region. As ordinarily employed, the phrase vaguely
denotes the rural speech of the manufacturing districts. But beyond
the Ribble, and more particularly beyond the Lune, there is
unmistakable variation from the genuine Lancashire of "Tim Bobbin";
and in Furness there is an echo of Cumberland. In genuine Lancashire
we have first the old-accustomed permutations of the vowels. Then come
elisions of consonants, transpositions, and condensations of entire
syllables, whereby words are often oddly transformed. Ancient idioms
attract us next; and lastly, there are many of the energetic old
words, unknown to current dictionaries, which five centuries ago were
an integral part of the English vernacular. The vowel permutations are
illustrated in the universal "wayter," "feyther," "reet," "oi," "aw,"
"neaw," used instead of water, father, right, I, now. "Owt" stands for
aught, "nowt" for naught. Elisions and contractions appear in a
thousand such forms as "dunnoyo" for "do you not," "welly" for
"well-nigh." "You" constantly varies to thee and thou, whence the
common "artu" for "art thou," "wiltohameh" for "wilt thou have me." A
final _g_ is seldom heard; there is also a characteristic rejection
of the guttural in such words as scratched, pronounced "scrat." The
transpositions are as usual, though it is only perhaps in Lancashire
that gaily painted butterflies are "brids," and that the little
field-flowers elsewhere called birds' eye are "brid een."
The old grammatical forms and the archaic words refer the careful
listener, if not to the Anglo-Saxon of King Alfred, at all events to
the _Canterbury Tales_; they take us pleasantly to Chaucer, and
Chaucer in turn introduces us agreeably to Lancashire, where "she" is
always "hoo," through abiding in the primitive "he, heo, hit;" and
where the verbs still end in _n_: "we, ye, they loven," as in the
Prologue--
"For he had geten him yet no benefice."
Very interesting is it also when the ear catches the antiquated _his_
and _it_ where to-day we say _it_ and _its_. Often supposed to
correspond with the poetical use of "his" in personifications (often
found in the authorised version of Scripture), the Lancashire
employment of _his_ is in truth the common Shaksperean one, _his_ in
the county palatine being the simple genitive of the old English
_hit_, as in _Hamlet_, iv. 7--
"There is a willow grows aslant the brook,
That shows _his_ hoar leaves in the glassy stream."
So with the obsolete possessive _it_. When a Lancashire woman says,
"Come to it mammy!" how plain the reminder of the lines in _King
John_--
Do, child, go to _it_ grandam, child;
Give grandam kingdom, and _it_ grandam will
Give it a plum, a cherry, and a fig;
There's a good grandam.
Public-domain text, read in full here on John Shaqi.
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