Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
What came into his mind first? His love, of course. There is no man,
as yet unanchored in the calm haven of marriage, who amidst contending
perplexities does not first think of what storms and shoals beset his
progress in that course. And who, so long as there he can see a bit
of blue sky, a tolerably clear passage, does not, to a great extent,
ignore the black clouds which he sees banking up to windward, the
heavy swell crested with a thin, dangerous, white line of wave, which
threatens his fortunes in another direction. Here Geoffrey Ludlow
thought himself tolerably secure. Margaret had told him all her story,
had made the worst of it, and had left him to act on her confession.
Did she love him? That was a difficult question for a man of Geoff's
diffidence to judge. But he thought he might unhesitatingly answer it
in the affirmative. It was her own proposition that nothing should be
done hurriedly; that he should take the week to calmly reflect over the
position, and see whether he held by his first avowal. And to-morrow
the week would be at an end, and he would have the right to ask for her
decision.
That decision, if favourable, would at once settle his plans, and
necessitate an immediate communication to his mother. This was a phase
of the subject which Geoffrey characteristically had ignored, put by,
and refrained from thinking of as long as possible. But now there was
no help for it. Under any circumstances he would have endeavoured, on
marrying, to set up a separate establishment for himself; but situated
as he was, with Margaret Dacre as his intended wife, he saw that such
a step was inevitable. For though he loved his mother with all his
heart, he was not blind to her weaknesses and he knew that the "cross"
would never be more triumphantly brought forward, or more loudly
complained of, than when it took the form of a daughter-in-law,--a
daughter-in-law, moreover, whose antecedents were not held up for
the old lady's scrutinising inspection. And here, perhaps, was the
greatest tribute to the weird influence of the dead-gold hair, the
pallid face, and the deep-violet eyes. A year ago, and Geoff Ludlow
would have told you that nothing could ever have made him alter his
then style of life. It had continued too long, he would have told you;
he had settled down into a certain state of routine, living with the
old lady and Til: they understood his ways and wishes, and he thought
he should never change. And Mrs. Ludlow used to say that Geoffrey would
never marry now; he did not care for young chits of girls, who were
all giggle and nonsense, my dear; a man at his time of life looked
for something more than that, and where it was to come from she, for
one, did not know. Miss Matilda had indeed different views on the
subject; she thought that dear old Geoff would marry, but that it
would probably come about in this way. Some lovely female member of
the aristocracy, to whom Geoff had given drawing-lessons, or who had
Public-domain text, read in full here on John Shaqi.
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