Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
It was three o'clock before Geoff arrived at the Academy, and the
rooms were crowded. The scene was new to him, and he stared round in
astonishment at the brilliancy of the _toilettes_, and what Charley
Potts would have called the "air of swelldom" which pervaded the place.
It is scarcely necessary to say that his first act was to glance at
the Catalogue to see where his pictures were placed; his second, to
proceed to them to see how they looked on the walls. Round each was a
little host of eager inspectors, and from what Geoff caught of their
conversation, the verdict was entirely favourable. But he was not long
left in doubt. As he was looking on, his arm was seized by Mr. Stompff,
who, scarcely waiting to carry him out of earshot, began, "Well! you've
done it up brown this time, my man, and no flies! Your pictures have
woke 'em up. They're talking of nothing else. Ive sold 'em both. Lord
Everton--that's him over there: little man with a double eyeglass,
brown coat and high velvet collar--he's bought the 'sic wos;' and Mr.
Shirtings of Manchester's got the other. The price has been good, sir;
I'm not above denyin' it. There's six dozen of Sham ready to go into
your cellar whenever you say the word: I ain't mean with my men like
some people. Power of nobs here to-day. There's the Prime Minister,
and the Chancellor of the Exchequer--that's him in the dirty white
hat and rumpled coat--and no end of bishops and old ladies of title.
That's Shirtings, that fat man in the black satin waistcoat. Wonderful
man, sir,--factory-boy in Manchester! Saved his shillin' a-week, and
is now worth two hundred thousand. Fine modern collection he's got!
That little man in the turn-down collar, with the gold pencil-case in
his hand, is Scrunch, the art-critic of the _Scourge_. A bitter little
beast; but Ive squared him. I gave him five-and-twenty pounds to write
a short account of the Punic War, which was given away with Bliff's
picture of 'Regulus,' and he's never pitched into any of my people
since. He's comin' to dinner to-day. O, by the bye, don't be late! I'll
drive you down."
"Thank you," said Geoff; "I--Ive got somewhere to go to. I'll find my
own way to Blackwall."
"Ha!" said Stompff, "then it is true, is it? Never mind; mum's the
word! I'm tiled! Look here: don't you mind me if you see me doing any
thing particular. It's all good for business."
It may have been so, but it was undoubtedly trying. During the next two
hours Geoff was conscious of Mr. Stompff's perpetually hovering round
him, always acting as cicerone to some different man, to whom he would
point out Geoff with his forefinger, then whisper in his companion's
ear, indicate one of Geoff's pictures with his elbow, and finish by
promenading his friend just under Geoff's nose; the stranger making a
feeble pretence of looking at some highly-hung portrait, but obviously
swallowing Geoff with his eyes, from his hair to his boots.
Public-domain text, read in full here on John Shaqi.
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