Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Naturally enough, old Mrs. Ludlow had thought very much over this
interview, and had pictured it to herself in anticipation a score of
times. She had never taken any notice of the allusions to the likeness
between her daughter-in-law that was to be and the Scylla-head which
Geoff had painted; but had drawn entirely upon her own imagination for
the sort of person who was to be presented to her. This ideal personage
had at various times undergone a good deal of change. At one time she
would appear as a slight girl with long fair hair and blue eyes ("what
I call a wax-doll beauty," the old lady would think); then she would
have large black eyes, long black hair, and languishing manners; then
she would be rather plain, but with a finely-developed figure, Mrs.
Ludlow having a theory that most artists thought of figure more than
face; but in any case she would be some little chit of a girl, just the
one to catch such a man as our Geoff, who stuck to his paintings, and
had seen so little of the world.
So much for Mrs. Ludlow's ideal; the realisation was this. On the step
immediately outside the window stood Margaret, a slight rose-flush
tinting her usually pale cheeks just under her eyes; her deep-violet
eyes wider open than usual, but still soft and dreamy; her red-gold
hair in bands round her face, but twisted up at the back into one
large knot at the top of her head. She was dressed in a bright-blue
cambric dress, which fell naturally and gracefully round her, neither
bulging out with excess of crinoline, nor sticking limply to her like a
bathing-gown; across her shoulders was a large white muslin-cape, such
as that which Marie Antoinette is represented as wearing in Delaroche's
splendid picture; muslin-cuffs and a muslin-apron. A gleam of sun shone
upon her, bathing her in light; and as the old lady stood staring at
her in amazement, a recollection came across her of something which she
had not seen for more than forty years, nor ever thought of since,--a
reminiscence of a stained-glass figure of the Virgin in some old
Belgian cathedral, pointed out to her by her husband in her honeymoon.
Public-domain text, read in full here on John Shaqi.
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