Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"Lord Caterham bade me make his excuses to you, Mr. Ludlow," said she.
"He hopes to see you before you go; but he is not very well just now,
and does not leave his room till later in the day."
Geoff was a little hurt at the "Mr. Ludlow." Like all shy men, he
was absurdly sensitive; and at once thought that he saw in this mode
of address a desire on Annie's part to show him his position as
drawing-master. So he merely said he was "sorry for the cause of Lord
Caterham's absence;" and they proceeded at once to Work.
But the ice on either side very soon melted away. Geoff had brought
with him an old sketch-book, filled with scraps of landscape and
figures, quaint _bizarre_ caricatures, and little bits of every-day
life, all drawn at Willesden Priory or in its neighbourhood, all having
some little history of their own appealing to Annie's love of those
old days and that happy home. And as she looked over them, she began
to talk about the old times; and very speedily it was, "O, Geoff,
don't you remember?" and "O, Geoff, will you ever forget?" and so on;
and they went on sketching and talking until, to Annie at least, the
present and the intervening time faded away, and she was again the
petted little romp, and he was dear old Geoff, her best playmate, her
earliest friend, whom she used to drive round the gravel-paths in her
skipping-rope harness, and whose great shock head of hair used to cause
her such infinite wonder and amusement.
As she sat watching him bending over the drawing, she remembered with
what anxiety she used to await his coming at the Priory, and with
what perfect good-humour he bore all her childish whims and vagaries.
She remembered how he had always been her champion when her papa had
been _brusque_ or angry with her, saying, "Fairy was too small to be
scolded;" how when just before that horrible bankruptcy took place and
all the household were busy with their own cares she, suffering under
some little childish illness, was nursed by Geoff, then staying in
the house with a vague idea of being able to help Mr. Maurice in his
trouble; how he carried her in his arms to and fro, to and fro, during
the whole of one long night, and hushed her to sleep with the soft
tenderness of a woman. She had thought of him often and often during
her life at Ricksborough Vicarage, always with the same feelings of
clinging regard and perfect trust; and now she had found him. Well, no,
not him exactly; she doubted very much whether Mr. Ludlow the rising
artist was the same as the "dear old Geoff" of the Willesden-Priory
days. There was--and then, as she was thinking all this, Geoff raised
his eyes from the drawing, and smiled his dear old happy smile, and
put his pencil between his teeth, and slowly rubbed his hands while
he looked over his sketch, so exactly as he used to do fifteen years
before that she felt more than ever annoyed at that news which Arthur
had told tier a few days ago about Mr. Ludlow being married.
Public-domain text, read in full here on John Shaqi.
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