Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
The people of Lowbar, lusty citizens with suburban residences--lawyers,
proctors, and merchants, all warm people in money matters--did
not think much of the advent into their midst of a man following
an unrecognised profession, which had no ledger-and-day-book
responsibility, employed no clerks, and ministered to no absolute want.
It was not the first time indeed that they had heard of an artist being
encamped among them; for in the summer several brethren of the brush
were tempted to make a temporary sojourn in the immediate vicinity
of the broad meadows and suburban prettinesses. But these were mere
birds of passage, who took lodgings over some shop in the High Street,
and who were never seen save by marauding schoolboys or wandering
lovers, who would come suddenly upon a bearded man smoking a pipe, and
sketching away under the shade of a big white umbrella. To wear a beard
and, in addition to that enormity, to smoke a pipe, were in themselves
sufficient, in the eyes of the worthy inhabitants of Lowbar, to prove
that a man was on the high-road to destruction; but they consoled
themselves with the reflection that the evil-doer was but a sojourner
amongst them. Now, however, had arrived a man in the person of Geoffrey
Ludlow, who not merely wore a beard and smoked a pipe, but further flew
in the face of all decently-constituted society by having a beautiful
wife. And this man had not come into lodgings, but had regularly
established himself in poor Mrs. Pierce's house, which he had had all
done up and painted and papered and furnished in a manner--so at least
Mr. Brandram the doctor said--that might be described as gorgeous.
Public-domain text, read in full here on John Shaqi.
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