Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Arrived within those walls, Mr. Potts, temporarily oblivious
of the presence of a lady, became himself again. The mingled smell of
turpentine and tobacco, the sight of the pictures on the easels, and
Of Geoff's pipe-rack on the wall, a general air of carelessness and
discomfort, all came gratefully to Mr. Potts who opened his chest,
spread out his arms, shook himself as does a dog just emerged from
the water--probably in his case to get rid of any clinging vestige of
respectability--and said in a very hungry tone:
"Now, Geoff, let's have a smoke, old boy."
"You might as well wait until you knew whether Mrs. Ludlow made any
objection, Charley," said Bowker, in a low tone.
"I beg Mrs. Ludlow's pardon," said Potts, scarlet all over; "I had no
notion that she--"
"Pray don't apologise, Mr. Potts; I am thoroughly accustomed to smoke;
have been for--"
"Yes, of course; ever since you married Geoff you have been thoroughly
smoke-dried," interrupted Bowker, at whom Margaret shot a short quick
glance, half of interrogation, half of gratitude.
They said no more on the smoke subject just then, but proceeded to a
thorough examination of the picture which Charley Potts pronounced
"regularly stunning," and which Mr. Bowker criticised in a much less
explosive manner. He praised the drawing, the painting, the general
arrangement; he allowed that Geoffrey was doing every thing requisite
to obtain for himself name, fame, and wealth in the present day; but
he very much doubted whether that was all that was needed. With the
French judge he would very much have doubted the necessity of living,
if to live implied the abnegation of the first grand principles of art,
its humanising and elevated influence. Bowker saw no trace of these
in the undeniable cleverness of the Brighton Esplanade; and though
he was by no means sparing of his praise, his lack of enthusiasm, as
compared with the full-flavoured ecstasy of Charley Potts, struck upon
Margaret's ear. Shortly afterwards, while Geoffrey and Potts were deep
in a discussion on colour, she turned to Mr. Bowker, and said abruptly:
"You are not satisfied with Geoffrey's picture?"
He smiled somewhat grimly as he said, "Satisfied is a very strong word,
Mrs. Ludlow. There are some of us in the world who have sufficient good
sense not to be satisfied with what we do ourselves--"
"That's true, Heaven knows," she interrupted involuntarily.
"And are consequently not particularly likely to be content with what's
done by other people. I think Geoff's picture good, very good of its
sort; but I don't--I candidly confess--like its sort. He is a man full
of appreciation of nature, character, and sentiment; a min who, in the
expression of his own art, is as capable of rendering poetic feeling
as--By Jove, now why didn't he think of that subject that Charley Potts
has got under weigh just now? That would have suited Geoff exactly."
"What is it?"
Public-domain text, read in full here on John Shaqi.
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