Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
reading of Geoffrey Ludlow's character be the correct one? Was he,
out of his art, so weak, vacillating, and easily led? and had he been
caught by mere beauty of face? and had he settled himself down to pass
his life with a woman of whose disposition he knew nothing? Annie
Maurice put this question to herself with a full conviction that she
would be able to answer it after her introduction to Mrs. Ludlow.
About a week after Geoffrey had given his first drawing-lesson in St.
Barnabas Square, Annie drove off one afternoon to Elm Lodge in Lady
Beauport's barouche. She had begged hard to be allowed to go in a cab,
but Lord Caterham would not hear of it; and as Lady Beauport had had
a touch of neuralgia (there were very few illnesses she permitted to
attack her, and those only of an aristocratic nature), and had been
confined to the house, no objection was made. So the barouche, with
the curly-wigged coachman and silver-headed footmen on the box, went
spinning through Camden and Kentish Towns, where the coachman pointed
with his whip to rows of small houses bordering the roadside, and
wondered what sort of people could live "in such little 'oles;" and
the footman expressed his belief that the denizens were "clerks and
poor coves of that kind," The children of the neighbourhood ran out in
admiration of the whole turn-out, and especially of the footman's hair,
which afforded them subject-matter for discussion during the evening,
some contending that his head had been snowed upon; some insisting
that it "grew so;" and others propounding a belief that he was a very
old man, and that his white hair was merely natural. When the carriage
dashed up to the gates of Elm Lodge, the Misses Coverdale next door
were, as they afterwards described themselves, "in a perfect twitter of
excitement;" because, though good carriages and handsome horses were by
no means rare in the pretty suburb, no one had as yet ventured to ask
his servant to wear hair-powder; and the coronet, immediately spied on
the panels, had a wonderful effect.
The visit was not unexpected by either Margaret or Geoffrey; but the
latter was at the moment closely engaged with Mr. Stompff, who had
come up to make an apparently advantageous proposition; so that when
Annie Maurice was shown into the drawing-room, she found Margaret there
alone. At sight of her, Annie paused in sheer admiration. Margaret was
dressed in a light striped muslin; her hair taken off her face and
twisted into a large roll behind; her only ornaments a pair of long
gold earrings. At the announcement of Miss Maurice's name, a slight
flush came across her face, heightening its beauty. She rose without
the smallest sign of hurry, grandly and calmly, and advanced a few
paces. She saw the effect she had produced and did not intend that it
should be lessened. It was Annie who spoke first, and Annie's hand was
the first outstretched.
Public-domain text, read in full here on John Shaqi.
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