Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"To tell him to come back to us--to me--to his mother!" said Lady
Beauport, with a sudden access of passion. "I cannot live any longer
without my darling son! I have told Beauport this. What does it signify
that he has been unfortunate--wicked if you will! How many others have
been the same! And our influence could get him something somewhere,
even if this inheritance should not be his. O my God! only to see him
again! My darling boy! my own darling handsome boy!"
Ah, how many years since Gertrude, Countess of Beauport, had allowed
real, natural, hot, blinding tears to course down her cheeks! The
society people, who only knew her as the calmest, most collected, most
imperious woman amongst them, would hardly recognise this palpitating
frame, those tear-blurred features. The sight completely finishes
Algy Barford, already very much upset by the news which Lady Beauport
has communicated, and he can only proffer a seat, and suggest that he
should fetch a glass of sherry. Lady Beauport, her burst of passion
over, recovers all her usual dignity, presses Algy's hand, lays her
finger on her lip to enjoin silence, and sails along as unbending
as before. Algy Barford, still dazed by the tidings he has heard,
goes back to Caterham's room, to find his friend lying with his
eyes half-closed, meditating over the recent discussion. Caterham
scarcely seemed to have noticed Algy's absence; for he said, as if in
continuance of the conversation: "And do _you_ think this money will
come to Lionel, Algy?"
"I can scarcely tell, dear old boy. It's on the cards, but the betting
is heavily against it. However, we shall know in a very few days."
Public-domain text, read in full here on John Shaqi.
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