Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
status from the event, and who had already discussed it with her most
intimate friends. Mrs. Ludlow had been prepared for a great contest for
supremacy when the child was born--a period at which she intended to
assert her right of taking possession of her son's house and remaining
its mistress until her daughter-in-law was able to resume her position.
She had expected that in this act she would have received all the
passive opposition of which Margaret was capable--opposition with
which Geoff, being indoctrinated, might have been in a great measure
successful. But, to her intense surprise, no opposition was made.
Margaret received the announcement of Mrs. Ludlow's intended visit
and Mrs. Ludlow's actual arrival with perfect unconcern; and after
her baby had been born, and she had bestowed on it a very calm kiss,
she suffered it to be removed by her mother-in-law with an expression
which told even more of satisfaction than resignation. This behaviour
was so far different from any thing Mrs. Ludlow had expected, that the
old lady did not know what to make of it; and her daughter-in-law's
subsequent conduct increased her astonishment. This astonishment she at
first tried to keep to herself; but that was impossible. The feeling
gradually vented itself in sniffs and starts, in eyebrow-upliftings for
the edification of the nurse, in suggestive exclamations of "Well, my
dear?" and "Don't you think, my love?" and such old-lady phraseology.
Further than these little ebullitions Mrs. Ludlow made no sign until
her daughter came to see her; and then she could no longer contain
herself, but spoke out roundly.
"What it is, my dear, I can't tell for the life of me; but there's
something the matter with Margaret. She takes no more notice of the
child than if it were a chair or a table;--just a kiss, and how do you
do? and nothing more."
"It's because this is her first child, mother. She's strange to it, you
know, and--"
"Strange to it, my dear! Nonsense! Nothing of the sort. You're a young
girl, and can't understand these things. But not only that,--one would
think, at such a time, she would be more than ever fond of her husband.
I'm sure when Geoff was born I put up with more from your father than
ever I did before or since. His 'gander-month,' he called it; and he
used to go gandering about with a parcel of fellows, and come home
at all hours of the night--I used to hear him, though he did creep
upstairs with his boots off--but he never had cross word or look from
me."
"Well, but surely, mother, Geoff has not had either cross words or
cross looks from Margaret?"
"How provoking you are, Matilda! That seems to be my my fate, that no
one can understand me. I never said he had, did I? though it would be
a good thing for him if he had, poor fellow, I should say--any thing
better than what he has to endure now."
"Don't be angry at my worrying you, dear mother; but for Heaven's sake
tell me what you mean--what Geoff has to endure?"
Public-domain text, read in full here on John Shaqi.
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