Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
So he reasoned with himself as he lounged round and round the room; and
at last began to consider that he was a remarkably ill-used person.
He began to hate the room and its furniture, altered the position of
the light and elegant little couch, flung himself into the arm-chair,
drumming his heels upon the floor, and rose from itleaving the chintz
covering all tumbled, and the antimacassar all awry, drummed upon
the window, stared at the prints already inspected--the "Hero and
his Horse," which led him into reminiscences of seeing the old Duke
with his white duck trousers and his white cravat, with the silver
buckle gleaming at the back of his bowed head, at Eton on Montem
days--glanced with stupid wonderment at Ward's "Dr. Johnson reading
the Manuscript of the _Vicar of Wakefield_," which conveyed to him
no idea whatsoever--looked at a proof of "Hogarth painting the Muse
of Comedy," and wondered "who was the old cock with the fat legs,
drawing." He watched the few people passing through the streets, the
very few hansom-cabs with drivers listlessly creeping up and down, as
though conscious that the chances of their being hired were dismally
remote, the occasional four-wheelers with perambulators and sand-spades
on the top, and bronzed children leaning out of the windows, talking of
the brief holiday over and the work-a-day life about to recommence--he
watched all this, and, watching, worked himself up to such a pitch
of desperation that he had almost determined to brave all chances of
recognition, and sally forth into the streets, when the door opened and
a waiter entering, told him that a lady was waiting to speak with him.
His mother had come at last, then? Let her be shown up directly.
Of all things Lionel Brakespere abhorred a "scene;" and this was likely
to be an uncommonly unpleasant meeting. The Mater was full of feeling
and that sort of thing, and would probably fling herself into his arms
as soon as the waiter was gone, and cry, and sob, and all that sort of
thing, and moan over him--make a fellow look so confoundedly foolish
and absurd, by Jove! Must get that over as soon as possible--all
the hugging and that--and then find out how matters really stood.
So he took up his position close to the door; and as the footsteps
approached, was a little astonished to hear his heart thumping so
loudly.
The door opened, and passing the bowing waiter, who closed it behind
her, a lady entered. Though her veil was down, Lionel saw instantly
that it was not his mother. A taller, younger woman, with step graceful
though hurried, an eager air, a strange nervous manner. As the door
closed, she threw up her veil and stood revealed--Margaret!
He fell back a pace or two, and the blood rushed to his heart, leaving
his face as pale as hers. Then, recovering himself, he caught hold of
the table, and glaring at her, said hoarsely, "You here!"
Public-domain text, read in full here on John Shaqi.
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