Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Annie went slowly and reluctantly to the library. She did not think
for a moment that Lord and Lady Beauport were indifferent to the
death of their eldest son; on the contrary, she knew that the event
had come upon them with a mighty shock, and that they had felt it, if
not deeply, at least violently and keenly. But she had the faculty
of vivid perception, and she used it intuitively; and in this case
it told her that shame, self-detection, and remorse,--the vague
uneasiness which besets all who cannot reckon with themselves to the
full in the daylight of conscience, but, like the debtor called to
an account, kept something back,--mingled largely with their grief.
It was not wholehearted, lavish, sacred, like hers; it was not the
grief which takes the spontaneous form of prayer, and chastens itself
into submission, elevating and sanctifying the mind and character of
the mourner. Annie knew, by that keen unreasoning instinct of hers,
that while her sole and earnest desire was to keep the memory of her
dead cousin green, recalling his words, his counsels, his
wishes,--dwelling on his views of life and its duties, and
preserving him in her faithful heart, for ever near her, as a living
friend,--while her chosen thoughts would be of him, and her best
consolation in memory,--his father and mother would forget him if
they could. They mourned for him, but it was with captious impatient
grief; there was a sting in every remembrance, every association, which
they could not yet escape from, but would have put away if they had had
the power. To them, sorrow for the dead was as a haunting enemy, to
be outwitted and left behind as speedily as might be; to her it was a
friend, cherished and dear, solemnly greeted, and piously entertained.
Public-domain text, read in full here on John Shaqi.
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