Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
he now gave to Blackett. He went to the place at once and questioned
the woman, who was only too anxious to give all the information in her
power in order to clear herself. She had received the locket in the
presence of two persons, from a young woman who had lodged with her,
and who had no other means of paying her. The young woman had gone away
a week before, she did not know where; she had no money, and only a
little bundle of clothes--a handkerchief full. She had no child, and
had never said any thing about one. The woman did not know her name.
She had taken a picture out of the locket She had red hair and dark
eyes. This was all. I shall never forget the wretched feeling which
came over me as I thought of the suffering this brief story implied,
and of what the wretched woman might since have undergone. I remember
so well, it was in January,--a dirty, wet, horrible day,--when Blackett
told me all this; and I was haunted with the idea of the woman dying
of cold and want in the dreadful streets. Blackett had no doubt of
finding her now; she had evidently fallen to the veriest pauperism,
and out of the lowest depths she would be drawn up, no doubt. So he
set to work at once, but all in vain. Dead or living, no trace of her
has ever been found; and the continuous search has been abandoned.
Blackett only 'bears it in mind' now. Once he suggested to me, that as
she was no doubt handsome, and not over particular, she might have got
a living by sitting to the painters, and 'I'll try that lay,' he said;
but nothing came of that either. I thought of it the day Annie and I
met you f, at the Private View, and if I had had the opportunity, would
have asked you if you knew such a face as the one we were only guessing
at, after all; but you were hurried, and the occasion passed; and when
we met again, Blackett had exhausted all sources of information in that
direction, and there was nothing to be learned.
Public-domain text, read in full here on John Shaqi.
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