Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"O no, I sha'n't," she said. "I'm going to lie down all this afternoon
in the night-nursery. Mamma is asleep now, and Geoffrey is quite quiet,
though the nurse says she sees no change for the better, no real change
of any kind indeed. And so I came down to ask you what you think I
had better do about these letters." She laid them on the table as she
spoke. "I don't think they are business letters, because you have taken
care to let all Geoffrey's professional friends know, haven't you,
Charley?"
Charley thrilled; she had dropped unconsciously, in the intimacy of a
common sorrow, into calling him by his Christian name, but the pleasure
it gave him had by no means worn off yet.
"Yes," he said; "and you have no notion what a state they are all in
about dear old Geoff. I assure you they all envy me immensely, because
I can be of some little use to you. They don't come here, you know,
because that would be no use--only making a row with the door-bell,
and taking up the servants' time; but every day they come down to my
place, or write me notes, or scribble their names on the door, with
fat notes of interrogation after them, if I'm not at home. That means,
'How's dear old Geoff? send word at once.' Why, there's Stompff--I told
you he was a beast, didn't I? Well, he's not half a beast, I assure
you; he is in such a way about Geoff; and, upon my word, I don't think
it's all because he is worth no end of money to him,--I don't indeed.
He is mercenary, of course, but not always and not altogether; and he
really quite got over me yesterday by the way he talked of Geoffrey,
and wanted to know if there was any thing in the world he could do. Any
thing in the world, according to Stompff, meant any thing in the way of
money, I suppose; an advance upon the 'Esplanade,' or something of that
sort."
"Yes, I suppose it did," said Til; "but we don't want money. Mamma has
plenty to go on with until--" here her lipquivered,--"until Geoffrey
can understand and explain things. It's very kind of Mr. Stompff,
however, and I'm glad he's not quite a beast," said the young lady
simply. "But, Charley, about these letters; what should I do?"
At this point the baby objected to be any longer unnoticed, and was
transferred to Til, who walked up and down the room with the injured
innocent, while Charley turned over the letters, and looked at their
superscriptions.
"You are sure there is no letter from his wife among these?" said
Charley.
"O no!" replied Til; "I know Margaret's hand well; and I have examined
all the letters carefully every day. There has never been one from her."
"Here are two with the same monogram, and the West-end district mark; I
think they must be from Miss Maurice. If these letters can be made out
to mean any thing, they are A.M. And see, one is plain, and one has a
deep black edge."
Public-domain text, read in full here on John Shaqi.
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