Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Mr. Flexor was by nature mendacious; indeed his employers used
pleasantly to remark, that when he did not lie, it was simply by
accident; but in what he had mentioned to Charley Potts about Geoffrey
Ludlow's visits to the nameless female then resident in his, Flexor's,
house, he had merely spoken the truth. To be sure there had been an
_arrière pensée_ in his remark; the fact being that Flexor objected
to matrimony as an institute amongst his patrons. He found that by an
artist in a celibate state beer was oftener sent for, donations of
cigars were more frequent, cupboards were more constantly unlocked, and
irregularities of attendance on his part, consequent on the frivolities
of the preceding night, were more easily overlooked, than when there
was a lady to share confidence and keys, and to regard all models, both
male and female, as "horrid creatures." But although Mr. Flexor had
spoken somewhat disparagingly of Geoffrey's frequent visits, and had
by his hints roused up a certain amount of suspicion in the breasts of
Charley Potts and that grim old cynic William Bowker, he was himself
far from knowing what real ground for apprehension existed, or how far
matters had progressed, at least with one of the parties concerned.
For Geoffrey Ludlow was hard hit! In vain he attempted to argue with
himself that all he had done, was doing, and might do, was but prompted
by benevolence. A secret voice within him told him that his attempts at
self-deceit were of the feeblest, and that, did he but dare to confess
it, he knew that there was in this woman whom he had rescued from
starvation an attraction more potent than he had ever yet submitted to.
It was, it may be said, his duty to call and see how she was getting
on, to learn that she wanted for nothing, to hear from her own lips
that his orders for her comfort had been obeyed; but it was not his
duty to sit watching jealously every glance of her eye, every turn of
her head, every motion of her lithe fingers. It was _not_ his duty to
bear away with him recollections of how she sat when she said this or
answered that; of the manner in which, following a habit of hers, she
would push back the thick masses of her gleaming hair, and tuck them
away behind her pretty ears; or, following another habit, she would
drum petulantly on the floor with her little foot, when talking of
any thing that annoyed her--as, for instance, Mrs. Flexor's prying
curiosity.
Public-domain text, read in full here on John Shaqi.
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