Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"Oh, you dear old Geoff; that is charming! oh, Geoff, how you have got
on! But I say, Geoff; the governess--what do you call her? I never can
recollect those Latin names, or Greek is it?--you know, and it does
not matter; but she is--you know, Geoff, I know you don't like me to
say so, but I can't find any other word--she is stunning! Not that
I think--I don't know, you know, of course, because we don't mix in
that sort of society--not that--that I think that people who--well, I
declare, I don't know any other word for them I--I mean swells--would
allow their governess to have her hair done in that style; but she
is de-licious! you've got a new model, Geoff; at least you've never
attempted any thing in that style before and I declare you've made a
regular hit. You don't speak, Geoff; don't you like what I'm saying?"
"My dear child, you don't give me the chance of saying any thing. You
rattle on with 'I know' and 'you know' and 'don't you know,' till I
can scarcely tell where I am. One thing I do manage to glean, however,
and that is that you are pleased with the picture, which is the very
best news that I could have. For though you're a most horrible little
rattletrap, and talk nineteen to the dozen, there is some sense in what
you say and always a great deal of truth."
"Specially when what I say is complimentary, eh, Geoff? Not that I
think I have ever said much in any other strain to you. But you haven't
told me about your new model, Geoff. Where did she come from?"
"My new model?"
"Yes, yes, for the governess, you know. That's new--I mean that hair
and eyes, and all that. You've never painted any thing like that before.
Where did she come from?"
There were few things that Geoffrey Ludlow would have kept from his
sister, but this was one of them; so he merely said:
"O, a model, Til dear--one of the usual shilling-an-hour victims."
"Sent you by Mr. Charles Potts, I suppose," said Miss Til, with unusual
asperity; "sent you for--" But here a knock at the door cut short the
young lady's remarks. "O, but if that is Mr. Potts," she resumed,
"don't say a word about what I said just now; don't, Geoff, there's a
dear."
It was not Mr. Potts who responded to Geoffrey Ludlow's "Come in." It
was Mr. Bowkees head which was thrust through the small space made
by the opening of the door; and it was Mr. Bowker's deep voice which
exclaimed:
"Engaged, eh? Your William will look in again."
Public-domain text, read in full here on John Shaqi.
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